A Quote by Kirstin Maldonado

It is based off the pentatonic scale, which is a five-note scale in music. And there are five of us. We were going to be The Pentatonix, but we dropped the 'The' and added an 'x' to try and be cooler.
Scale is a mental - you can say that a lounger has scale, a building has scale, or an object has scale, or a page, or whatever if it's just right. A scale is a relationship to the object and the space surrounding it. And that dialogue could be music, or it could be just noise. And that is why it is so important, the sense of scale.
The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.
I'm no ethnomusicologist. There is a connection between the five-note scale used both in traditional Chinese music and the blues, but I don't really understand it. All I know is, whenever I play with Chinese musicians, we seem to belong to the same musical gene pool.
The derby d'Italia is a very difficult match, five out of five on the scale.
'Ides of March' I did for scale - scale as a director, scale as an actor, scale as a writer.
What does reflect reality very well is complexity theory, which comes from physics. I'm the one pioneering the idea of bringing it to capital markets. When you look at capital markets through the lens of complexity theory, you ask "what's the scale of the system?" Scale is a fancy word for size. What measures are you using? If you look at total debt, the concentration of assets in the five largest banks, what percentage of the total assets of the five largest banks are interconnected? What you see is a very densely connected, fragile system that could collapse at any moment.
I'll tell you, girl fans were actually pushier than the guys. The guys got scared, because when the five of us were together, we were out of control. If I were in the room with the five of us, I'd leave. It's like a five-headed monster.
Diatonic, he heard the word in his head. Chromatic, pentatonic, hexatonic, heptatonic, octatonic, each iteration of the scale opening innumerable possibilities for harmony. He thought about the Pythagorean major third, the Didymus comma, the way the intervals sound out of tune rather than as though they were different notes. This, he thought, was where his brilliance at mathematics bled into his love of music; music was the realm in which his mathematical brain danced.
I do believe in the Kinsey scale, I think many of us fall in different places on the scale and I think it's for each one of us to decide where we are on the scale, it's not for someone else to decide for us.
It's a lot easier to figure out how to scale something that doesn't feel like it would scale than it is to figure out what is actually gonna work. You're much better off going after something that will work that doesn't scale, then trying to figure how to scale it up, than you are trying to figure it all out.
That's one of our biggest challenges is finding out how to do that. There are times when you have to scale back. You might be performing on a five-by-five stage in front of 12 people. That's an exaggeration but there are times when you have to turn the corner and do an acoustic set.
I think the secret of the world lies in the C major scale. The universe opens its doors when a major scale is played. There's stuff going on in a major scale that is a direct connection to divine, universal hugeness.
On a scale out of five, with one being very bad and five being very good, House of Fraser is a one.
Scale is of prime importance and I think that oversized scale is better than undersized scale.
If I step on a scale, I won't eat for five months.
Then Scale by scale, We strip off The delicacy And eat The peaceful mush Of its green heart.
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