A Quote by Kirstin Maldonado

I feel like I have to be on my game because I have to handle my solo stuff and Pentatonix stuff, so it has really kept me on my toes in a good way. — © Kirstin Maldonado
I feel like I have to be on my game because I have to handle my solo stuff and Pentatonix stuff, so it has really kept me on my toes in a good way.
All the stuff I love most in game storytelling is never the big-picture stuff; it's the stuff that feels like curlicues, stuff that's just there because it's a game and because you can do it.
Having a child as a single mother was a crucible - maybe this is true for all parents. I got rid of so much stuff that didn't really matter in the scheme of things-like throwing stuff out of an airplane that kept me flying too low. What was left was essential, i.e. not a lot of extraneous stuff that had kept me busy and people-pleasing. I just didn't have the luxury of wasting my life force on so much stupidity and distraction. That made me strong.
Sometimes people hear that you help somebody or you said something that really resonated with them that they really needed to hear. Sometimes people get motivated to go and do stuff. That makes me feel really good because I feel like I'm affecting people in a good way.
People think that I'm mean because I'm quiet, and I don't really go out places or because I don't really say too much. On the other hand, people think that I'm soft because I may not handle myself the way other people handle themselves. That's just not me. They don't know my background or none of that stuff.
I feel like I have way more resources, way more experience. I'm better. But my fans romanticize the earlier stuff, and I don't think it's just like a nostalgia thing of "He's not as good" - I think it's because that earlier stuff was aggressively marketed as a lifestyle to them.
I've got all of the old school vinyls from the '70s - even further back, like the jazz music in the '40s, '50s, '60s. Then I've got all the '80s stuff underground, hip-hop when hip-hop really first started. The '90s stuff. All of the good stuff, because I'm really into music, and it helps me create new songs now.
If you go to a really great shop that stocks really great stuff and it doesn't makes it feel like a super secret club there's tons of stuff to find all way time.
I always feel like I wasn't the best trainer, because I'm really good at teaching people stuff, but I'm not good if people aren't super psyched - if they're not like me.
Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
You look back at a time you idealize now and you only remember the good stuff. You tell the stories about the hard stuff and just laugh about it now. You don't remember how difficult it was to be stranded in Austin after driving 52 hours from Seattle in a rainstorm and having nowhere to stay for five hours. You remember that stuff and laugh about it now. You don't feel it the way you did back then when you were so scared and nervous and tired and hungry. We always idealize the past because we don't feel the painful stuff the way we used to.
I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
I have a suspicion, because if you look at the whole, all the [Star Wars ] movies, the backlog of every one of these movies, there's a lot of great stuff, but one might not be not as good with the writing in this or the acting in that or the directing in that, this has great actors, great directors, great script, and I really feel like we're gonna make the best one [movie with Young Han Solo].
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
When I started music, I think it was responsible for keeping me sane, because training as a dancer really kept me in good spirits amid all the crazy stuff that happened when I first became popular.
I think there's been a gigantic shift in the way we talk to each other, and the way that we communicate with each other. So as a filmmaker, the stuff's always been really interesting to me, and I sort of considered a lot of my films horror films, the ones that were relationship dramas, because I feel like it was very easy to look at modern communication and the Internet and cell phones and all that stuff as horror movies, basically.
I like Babyface, but he keeps the good stuff for himself. If he's willing to give his good stuff to me, we'll talk. But it can't be any of his B-grade stuff.
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