A Quote by Kirsty Gallacher

I have always enjoyed drawing and painting but I don't always find the time to do much these days. — © Kirsty Gallacher
I have always enjoyed drawing and painting but I don't always find the time to do much these days.
Growing up, I enjoyed drawing, but it was always in the service of an idea. I drew all the time, and I enjoyed making.
Seven days a week, I'm always drawing, doodling, or painting, whether I'm in the studio or on a plane.
I had always loved cartoons, especially 'Bugs Bunny,' and I found I enjoyed making animated films. Even a 30-second commercial involved drawing and painting, storytelling, not to mention actors, music, and sound effects.
One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image.
I would always be painting and drawing. If I was stuck at home, I was in the basement working on a painting.
I loved surrealism and abstract painting, and anything related to those. I always thought painting was the highest form of art. What led me to drawing was seeing so much self-important, pretentious, conceptual-type art in university. I wanted to reject that by making quick, fun art.
I was always interested in drawing and painting. I enrolled in college to study painting. But I didn't have any livelihood when I graduated. My mother died very young, and I didn't have any home, so I had to find a way to earn a living. It seemed to me that photography - to the great disappointment, I have to say, of my painting teacher - could offer that. So I went and did a degree in photography, and then after that I could go out and get paid for work. For portraits, things like that.
From being a young kid I was always drawing and painting, usually stuff like private parts or bloody images but always with a comedy twist to it.
All I care about these days is painting — photography has never been more than a way into painting, a sort of instant drawing.
I've always loved pinup art, and I've always enjoyed drawing women. I think it was a conscious decision that has resulted in me getting almost exclusive work on comics where the main character is female.
These days with our economy changing so much, there's not as much TV being made and there's a lot more reality these days, and not as many films being made. I find a lot of my friends who have been acting their whole lives having a hard time finding jobs these days. It's a tough time right now for everybody, which is why I feel very fortunate to have a great job right now. But if acting is something that you're extremely passionate about, I think you should always follow your heart and always follow your dreams. My parents taught me that at a young age and I think it's so true.
People are always trying to find the next groovy thing, and it hasn't gone back to painting... I'd like it to go back to painting. I'm sick of all this photography and video. There's so much of it, it's almost annoying.
I spent much of my college life prepping for other careers, but I was always drawing and painting whenever I had free time. Eventually, thanks to the internet, I started noticing that there were such things as art schools, and professional artists, and people making a living doing a variety of types of art.
I have always loved science, but I have always loved the arts - drawing, painting and, yes, writing - more.
I always get into arguments with people who want to retain the old values in painting - the humanistic values that they always find on the canvas. If you pin them down, they always end up asserting that there is something there besides the paint on the canvas. My painting is based on the fact that only what can be seen there is there... What you see is what you see.
The painting is always done very much with [the model's] co-operation. The problem with painting a nude, of course, is that it deepens the transaction. You can scrap a painting of someone's face and it imperils the sitter's self-esteem less than scrapping a painting of the whole naked body.
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