A Quote by Kirti Kulhari
I have to very consciously choose the kind of work I want to do.
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If your struggle with the conflicting parts of yourself is conscious, you are able to choose consciously the response that will create the karma that you desire. You will be able to bring to bear upon your decision an awareness of what lies behind each choice, and the consequences of each choice, and choose accordingly. When you enter into your decision-making dynamic consciously, you insert your will consciously into the creative cycle through which your soul evolves, and you enter consciously into your own evolution.
I've never consciously chased a particular kind of a film or role. I choose from what is offered.
It's not a very popular subject amongst my audience, who are by nature more internationalist, but I don't choose what to write about, I don't choose my subjects, they kind of choose me.
Acting isn't something that I think about very consciously, somehow that just doesn't work for me. I just kind of feel my way into it.
Choice is the engine of our evolution ... if you choose unconsciously, you will evolve unconsciously. If you choose consciously, you will evolve consciously
I choose to work behind the camera. And I kind of want to make the work and then run away. The presentation of myself really feels complicated for me.
I love New York very much, and it was very important for me to spend my 20s in New York City. You're exposed to so much here, whether it's other people or just the grind of it and how hard you have to work. I think it forces you to define yourself: what kind of person do you want to be? What kind of woman do you want to be? And then inevitably, what kind of actress do you want to be?
[On writing:] What a difficult kind of work to choose! But of course one did not choose it. There was no choice.
My four criteria: I don't want to work with people I don't like; I don't want to work in a business I either don't like or don't understand; I don't want to work for nothing unless I choose to, and I do a fair amount of that already; and I want to have some fun.
I think that our work and our music stands on its own without this knowledge about our identity around it. But I also think that we very consciously decided not to hold back that part of ourselves, but to be very vocal about who we are, kind of what experiences we've had in life, and how we identify.
The reason I choose the stories I choose - and it's why it takes me so long to find ideas - is that I'm looking for that very thing. I want an idea that begins, I want a middle that is compelling and will bring readers along, and I definitely want an ending.
Be okay with who you are. And that you can't choose your parents or what life you were born into, but you can choose the kind of person you want to be.
Be careful what you choose to do consciously, for unless your will is very strong, that is what you may have to do repeatedly and compulsively through the habit-influencing power of the subconscious mind.
I am very excited to work with people who have a strong vision of what they want. They're trying to tell a story, and they want to use me. I'm there to facilitate that. I really like that. I'm like, "Tell me where your frame is. Tell me what you want, what kind of story you want, and I will facilitate it." That's sort of my job, and it makes my work better when I'm working in that kind of a frame, and hopefully it's their work. It's incredibly collaborative, in the sense that you're working toward a common goal.
The world we live in is the world we choose to live in, whether consciously or unconsciously. If we choose bliss, that's what we get. If we choose misery, we get that, too.
But as we are looking toward our future, I'm not sure it matters what we want to be but rather who we want to be. Someone honest or deceitful?Someone kind or cruel?Someone loyal or unfaithful? In any profession we can elect to be any of those things. I think this assignment is not only about what we choose to do but about who we choose to be. I choose to always be loyal to myself. -Raven Madison
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