A Quote by Kirti Kulhari
I don't choose scripts with the intent to get an award.
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An award, to me, means a bonus. It's not that an actor works for an award. I don't work for an award. But, when you get an award, it is encouraging and inspiring and reminds you that you need to do well.
'Groundhog Day' was one of the greatest scripts ever written. It didn't even get nominated for an Academy Award.
Receiving both the Coretta Scott King - Virginia Hamilton Award for Lifetime Achievement and the Laura Ingalls Wilder Award suggests I have succeeded, at least in terms of my own goals, in my intent to make art that moves children.
When I choose projects, I don't stipulate between film or theatre or television. I receive scripts and I read scripts - and when I read a script that's good, I then get married to it and talk to my agent about what happens next.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
A lot of actors choose parts by the scripts, but I don't trust reading the scripts that much. I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there's a movie. It's very evocative; it's like a first cut because you hear 'She walked to the door,' and you visualize all these things. 'She opens the door' . . . because you read the stage directions, too.
The Profile in Courage Award recognizes elected officials who choose to do what is right, not what is easy, so that we might learn from their example. Each time we give the award, we bear witness to the past for the sake of the future.
If I am ever forced to choose between my identity as a Tamilian and an award from the central government, I will choose the former.
The way I choose parts is I look at the scripts... I choose a part by whether or not it challenges me.
I would be surprised though if I don't get unbelievable critical acclaim for 'Dirty Picture' and a national award for my actress, Vidya Balan. The movie has one of the most well-written scripts I have come across, and a lot of youngsters in my office have looked at it with great admiration.
I don't choose my directors, but I choose my scripts wisely.
I get a trickling few scripts that I'm lucky enough that some of them are great. I don't get loads of scripts.
It's overwhelming and humbling to be the recipient of a National Award, and I only hope to find scripts now that will solidify that honor.
The writer's intention hasn't anything to do with what he achieves. The intent to earn money or the intent to be famous or the intent to be great doesn't matter in the end. Just what comes out.
Anytime you get an award as a coach, you've got to be the ultimate fool to think it wasn't your assistant coaches and all the players responsible for the award.
Intent is not a thought, or an object, or a wish. Intent is what can make a man succeed when his thoughts tell him that he is defeated. It operates in spite of the warrior's indulgence. Intent is what makes him invulnerable. Intent is what sends a shaman through a wall, through space, to infinity.
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