A Quote by Kirti Kulhari

It is scary for me to do a film by directly showing up on the sets without any preparation. — © Kirti Kulhari
It is scary for me to do a film by directly showing up on the sets without any preparation.
It's extremely difficult and very challenging to be a woman in film and television. Just showing up in this business forces you to know yourself. But I learned how to deal with rejection and get tough when I was working as a model - it taught me how to put myself out there. In a way, my time modelling was a preparation for life.
For me, when working on a film or play or television show, everything for me starts with the screenplay and I am devoted to that and that is what I work from. Any research I do or any preparation I do on my own is all ultimately in service of that.
With Fincher, you can take chances and try things. And what happens is that any pretension and preparation you've done, all the square, intellectual work, you can't keep that up for 40 takes. It breaks down, and new things start popping up. This, for me, is the most exciting thing about film-making.
It is a grave matter to enter a war, without adequate military preparation; it may prove fatal to come into peace, without moral and religious preparation.
The most interesting thing about this sport, at least to me, it the activity of preparation-any aspect of preparation for the games. The thrill isn't in the winning, it's in the doing.
The moment any film has song and dance sequences - where any time any character can start singing and dancing without any explanation - it can turn into a senseless film.
I really respond to human scripts, scripts that are raw and real and risky. I love playing scary characters - not horror film scary, but vulnerable scary.
I grew up in a family where the internalized understanding was that the kids were going to grow up into a better world. I worry, because I don't think my kids are going to have that. The world is very scary. The world would be scary without the choices the current administration made, but they just exacerbated it. And it ticks me off. I want my kids to have a good life.
I don't remember that I ever really went all out to come up with a costume or a persona that could compete with everyone around me. I didn't know what to do. I found Halloween scary for just that fact - it meant that I had pressure to get up and be scary, makeup and all that. That was pretty horrifying for me.
The problem is when [the state] monitor all of us, en masse, all of the time, without any specific justification for intercepting in the first place, without any specific judicial showing that there's a probable cause for that infringement of our rights.
I was really touched when I reached the sets of 'Padmaavat' and I greeted Sanjay Leela Bhansali. He hugged me, held my hand high and told everyone, 'Razasaab is with us again. I cannot think of a film without Razasaab!' That was such a big compliment for me.
Success depends upon previous preparation, and without such preparation there is sure to be failure.
Oh, my father's had a huge, immense impact on my career. I grew up on movie sets that he was working on, and it just become a part or was a part, was the only part of my life because I spent my whole childhood traveling and being on film sets.
Me not showing any emotion is not the best for me. I've tried that. It kind of bottles up, and then at some point explodes.
Some people manage to make that transition from child actor to adult actor seamlessly. But I felt that if I spent my whole life on a film set without taking a few years to do something else, all I would ever know about was film sets.
You are young. So you know everything. You leap into the boat and begin rowing. But, listen to me. Without fanfare, without embarrassment, without doubt,I talk directly to your soul. Listen to me.
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