A Quote by K.K. Raghava

If technology is not a metaphor for memory, what is it? — © K.K. Raghava
If technology is not a metaphor for memory, what is it?

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Recording stories is a way of honoring the faculty of memory, even if it's recorded, outsourcing memory to technology.
Language is memory and metaphor.
Metaphor is no argument, though it be sometimes the gunpowder to drive one home, and imbed it in the memory.
Digital technology can be a great resource, but it can also be a pernicious one, so it's how we, as a society, really study the cognitive impact of that and use evidence-based research to go after the technology designers to do a better job of dealing with the problems of memory and attention we are seeing.
You could make a good case that the history of social life is about the history of the technology of memory. That social order and control, structure of governance, social cohesion in states or organizations larger than face-to-face society depends on the nature of the technology of memory - both how it works and what it remembers. In short, what societies value is what they memorize, and how they memorize it, and who has access to its memorized form determines the structure of power that the society represents and acts from.
Audio virology is not a metaphor. It is to be taken literally. It maps real processes of mutation, transmission, contagion and memory within music culture.
My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook.
Comic strips introduced me to metaphors. They are pure metaphor, so you learn how to tell a story with symbols, which is a very valuable thing to learn. And I learned that from motion pictures, too, and from poetry. Poetry is mainly metaphor. If it doesn't have a metaphor, it doesn't work.
'District 9' was a singular anti-Apartheid metaphor, and 'Elysium' is a more general metaphor about immigration and how the First World and Third World meet. But the thing that I like the most about the metaphor is that it can be scaled to suit almost any scenario.
Ghosts are a metaphor for memory and remembrance and metaphorically connect our world to the world we cannot know about.
The Cemetery of Forgotten Books is a metaphor, not just for books but for ideas, for language, for knowledge, for beauty, for all the things that make us human, for collecting memory.
The Cemetery of Forgotten Books is a metaphor, not just for books but for ideas, for language, for knowledge, for beauty, for all the things that make us human, for collecting memory
I have a good memory. But I would be interested in memory even if I had a bad memory, because I believe that memory is our soul. If we lose our memory completely, we are without a soul.
Metaphor is ritual sacrifice. It kills the look-alike. No, metaphor is homeopathy.
Now, that can be a traditional form or it can be something you're inventing. It can be the development of a metaphor, the working through of a metaphor.
Most music is metaphor, but Wolff is not. I am not metaphor either. Parable, maybe. Cage is sermon.
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