A Quote by Klaas-Jan Huntelaar

There is always a chance to score the equaliser with a set piece. — © Klaas-Jan Huntelaar
There is always a chance to score the equaliser with a set piece.
You just have to be prepared because in the Premier League, you are not always going to have more than once chance to score. When it comes your way, you have to be ready to take that chance. If you're not calm, you know it might not come again.
When you have a chance to score 50, it's always nice.
When you have the chance to go against a brother of yours on the court, you're always looking at each other like, If you score, we're looking at each other. If I score, I'm looking at him.
I am convinced that when the team plays well, the attackers will have chances to score - and that's why I will have the chance to score.
It was missing a piece. And it was not happy. So it set off in search of its missing piece. And as it rolled it sang this song - "Oh I'm lookin' for my missin' piece I'm lookin' for my missin' piece Hi-dee-ho, here I go, Lookin' for my missin' piece.
Penalties are part of the game, you know. You need to score. You have the chance but you need to score.
What I do is creative. It doesn't seem like that when I'm playing a piece that was written in the past, but the score is just the outline and everything in it is relative. The key is to make this piece written by someone else belong to you and then connect to the audience.
I use humour a lot because humour is a great equaliser. Everyone laughs at the same things if you set them up properly, and that makes everybody equal. At the end of the day, I see my job as being there to entertain as well as inform and provoke.
I'm not going on the pitch just to score goals, I am going on there first to win and to play well and then, if I have the chance to score as well, that's even better.
Sometimes a piece of music in the score isn't effective. When a score is too well finished with too many elements, sometimes it's too much.
I really like to absorb the project and watch it and work on the music a lot and just get the feel for it until eventually a moment comes where I know I've got it. A lot of it is trial and error. Some days a piece of music doesn't work then other day another piece of music finally says something and works with the picture and suddenly casts a light on all the other stuff you've done - probably because my mind is getting to understand it and the piece is educating me. I always feel like the score is in there already somewhere and I just have to channel it and accent it.
I always conceive a piece as a different set of challenges.
During my time with Maccabi Tel Aviv, I learned how to play better by using my head. I was given the chance of playing a more forward position so I could score many goals. In short, I have become a player who can score goals and win games.
You get one chance to do something about native title. You get perhaps one chance in your life to do something about a republic. You get one chance, your chance, to build a piece of the political architecture in the Pacific. I wasn't going to give those up.
I was always a guy who could score the ball as a kid, but everybody wanted to score. And I always wanted to be different in some type of way.
I like to write a piece of music that reflects how I felt about a film as opposed to, here's this action scene; here's this set piece.
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