A Quote by Klaus Kinski
About 25 years ago, I was in an apartment, and next door, they put on the radio, so I struck the wall with my fist, but they did not put the radio down. I took a tool and banged until I made a hole through the wall. It was like a comedy movie.
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My latest theory is that it's - well, I describe it as, like, being in an apartment with kind of thin walls. And in the apartment next door, they've got a radio tuned constantly on - tuned to a really cool radio station. It's on all the time. And you can just hear it coming through the wall all the time.
When you are up against a wall, put down roots like a tree, until clarity comes from deeper sources to see over that wall and grow.
I had an apartment and I had a neighbor, and whenever he would knock on my wall I knew he wanted me to turn my music down and that made me angry 'cause I like loud music... so when he knocked on the wall, I'd mess with his head. I'd say Go around I cannot open the wall I dunno if you have a door on your side but over here there's nothin'. It's just flat.
If you don't break a hole through the brick wall, don't just start digging a new hole. Keep going until you break through that wall.
I did some professional radio acting as a teenager, and I essentially put myself through college with radio acting in Montreal. When I graduated, I got jobs in professional theatres, repertory, and stock theatres in Canada for a couple of years. And then I went to Stratford, Ontario, where I spent three years with a Shakespeare company. We took a classical play from Stratford to New York City, and I got some good notices there and essentially stayed and did live television. And that brings you to the beginning of filming.
The crooks downtown figured out that comedy is like a hammer. It can put up a barn and it can knock down a wall. So they bought it outright and marketed it as Comedy Central.
If a new artist wants to put out some sort of off-the-wall, crazy deep ballad about the sun or whatever, it might be hard to get traction. It's so much easier for someone established to put out a really heartfelt, deep song and get it played in radio.
Breaking down that wall is the kind of story that might have a happy middle - oh, look, we broke down this wall, I'm going to look at you like a girl and you're going to look at me like a boy, and we're going to play a fun game called Can I Put My Hand There What About There What About There.
A gunshot rang out, blasting a hole in the door. A crossbow quarrel zinged through the hole and stuck quivering into the opposite wall. Seth heard the rocking horse clattering down the staircase, the twang of bowstrings, and the overlapping beat of several other projectiles thudding against the door. "That was awesome," Seth told Kendra. "You're psychotic," Kendra replied.
The last time I heard real screaming in the theatre was when I went to see a movie I did years ago, called 'Wait Until Dark.' Now, my mother was the least emotional person on the planet, but when I got killed in the movie, she stood up and screamed, 'That's my son!' At Radio City Music Hall in New York!
Television is just like making a hole in the wall. All kinds of stuff comes in, on the screen, that we would never allow to come in through the door.
On radio, you're in your own little world. Every time I'd be doing a possible no-hitter - I think I've done something like 25 no-hitters and a couple of perfect games - I would always put the date on the tape. Not for me, but for the player, so that 25 or 30 years later when he's playing it for his kids or grandkids, you have that date.
Where would the Republican Party being without talk radio the last 25 years? And yet who now is enemy number one? Talk radio! I don't know what I did to Michael Gerson, but he's back again in the Washington Post blaming everything [Donald] Trump on me.
When I showed ‘Black and the Red III’ in Malmö, Sweden, it was a continuum - a band - all around the galleryseeing this huge space in the gallery in Malmö, I just took a deep breath and I put the paper around in a single band. Then I continued along, printing on the wall like a trompe l’oeil to reiterate the images in the work printed on paper that I had push-pinned to the wall. I literally took the rhythm and the images from ‘Black and the Red III’ and continued that on the wall.
My photographs are not really about photography. They are about editing. I use photography but they are all taken from the TV screen. Anybody can do that, but it's the order I put the pictures in to try to create a new kind of movie, something that you can put on your wall.
To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'
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