A Quote by Klaus Nomi

I approach everything as an absolute outsider. It is the only way I can break so many rules. — © Klaus Nomi
I approach everything as an absolute outsider. It is the only way I can break so many rules.
And I'm the first one to tell people to break the rules. But you can only break the rules once you know what the rules are. The other thing is, fashion is the last design discipline to actually have academic texts and historical analysis.
I think that the essence of being an artist is to break rules. You have to learn rules, and you have to break them, because if you make art only by the rules, then you make very boring art.
There is nothing absolute and final. If everything were ironclad, all the rules absolute and everything structured so no paradox or irony existed, you couldn't move. One could say that man sneaks through the crack where paradox exists.
In so many roles I've played the outsider. As an outsider, you have more energy to succeed simply because you are an outsider. There are scripts floating around but they're not coming my way and I think that I am getting a little bit too old to play Napoleon. But if I was ever offered the role I would grab it.
That was the rule. Break one of my rules once, and I’m bound to break many more.
I'm disregarding all the rules I've seen as people approach writing music. I'm trying to break them.
I love anyone who breaks the rules, and musicians always break the rules - in an aggressive way.
There are two ways to approach the writing of a mystery novel: adhere to the rules, or break them with glee.
You can sometimes break rules in comics that you can't necessarily break in cinema. It's fun to find something cool in a comic and then try and find a way to break the same rule in another medium.
Break the glass, please, and free us from all these damned rules, from needing to find an explanation for everything, from doing only what others approve of.
Part of writing is discovering the rules of the game and then deciding whether to follow the rules or to break them. The great thing about the game of poetry is that it's always your turn - I guess that goes back to my being an only child. So once it's under way, there is a sense of flow.
It always helps to have someone who can say, No, we can do it faster this way, or We have to break the rules, even our own rules, to get things done.
To achieve long-term success over many financial market and economic cycles, observing a few rules is not enough. Too many things change too quickly in the investment world for that approach to succeed. It is necessary instead to understand the rationale behind the rules in order to appreciate why they work when they do and don't when they don't.
In diplomacy, like in great many other things, the rules of engagement survive only until one remarkable person decides to break them.
Confronted with such a variety most philosophers try to establish one approach to the exclusion of all others. As far as they are concerned there can only be one true way- and they want to find it. Thus normative philosophers argue that knowledge is a result of the application of certain rules, they propose rules which in their opinion constitute knowledge and reject what clashes with them.
There are so many rules in the art world. I don't like rules and I break them all the time. I don't care if people think I'm overexposed. What I care about is if I'm going to run out of energy. Overexposure is only a problem if you are drained of energy and cannot come up with new ideas. Every artist has to recognize that and know when to stop for a moment.
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