A Quote by Klaus Nomi
It is a very personal thing to me, because this is my basic voice, this is where I come from, and it is one of the oldest voice styles in human history.
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People like to say that Plutarch's is a really "personal" voice, but in truth Plutarch tells us very little about his life. His voice is personable but never personal. It feels intimate because he's addressing the world as we experience it, at this level, a human level, rather than way up here where very few of us live.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
But what I would like to say is that the spiritual life is a life in which you gradually learn to listen to a voice that says something else, that says, "You are the beloved and on you my favour rests."... I want you to hear that voice. It is not a very loud voice because it is an intimate voice. It comes from a very deep place. It is soft and gentle. I want you to gradually hear that voice. We both have to hear that voice and to claim for ourselves that that voice speaks the truth, our truth. It tells us who we are.
Discerning the will of God is a very tricky thing, partly because, you know, the little voice in my head can either be God's voice or it can be my own ego doing a magnificent impression of God's voice.
We cannot have peace on Earth until we learn to speak with one voice. That voice must be the voice of reason, the voice of compassion, the voice of love. It is the voice of divinity within us.
I have always wanted what I have now come to call the voice of personal narrative. That has always been the appealing voice in poetry. It started for me lyrically in Shakespeare's sonnets.
For me the Voice of God, of Conscience, of Truth or the Inner Voice or the still small Voice mean one and the same thing.
Ever since I was first read to, then started reading to myself, there has never been a line read that I didn't hear. As my eyes followed the sentence, a voice was saying it silently to me. It isn't my mother's voice, or the voice of any person I can identify, certainly not my own. It is human, but inward, and it is inwardly that I listen to it. It is to me the voice of the story or the poem itself.
The main thing was finding this... voice that I had interest in, which I'll call the quiet-yet-stoic voice: the very quiet yet very strong voice that I developed, that people would want to hear and that was worth paying attention to.
Whitney Houston's voice was the very first voice I fell in love with. She was the voice that made me want to become a singer.
This approach to voice is designed to liberate the natural voice and thereby develop a vocal technique that serves the freedom of human expression. The basic assumption of the work is that everyone possesses a voice capable of expressing, through a two- to four-octave natural pitch range, whatever gamut of emotion, complexity of mood, and subtlety of thought he or she experiences.
Our spiritual history is the history of God-ventriloquists! The truth is that the voice of God is the voice of cunning Man, the ventriloquist's voice!
The history of your world is filled with the voice of the victor, the voice of power, although it was not always a voice of sanity, by any means.
Sometimes all we need is only listening to an inner voice and remaining human in a very personal way. But even if it is a personal way, it's still a very valid way - maybe the most valid way. It doesn't have to be a collective experience or someone telling you what to do. The most sacred human experience can be a very personal one.
[Someone] said that what I described as the Buddhist voice - the life-denying voice of censure and guilt - sounded to him very much like a Catholic voice. This is, indeed, a mystery, and it intrigues me, too.
But I'm pretty lucky with my voice. When I first started touring I went to see a woman to give me some coaching on how not to lose my voice. And she was just saying really your voice is a muscle so if you're using it all the time you should actually come back from tour with a stronger voice than you left with. And that's really how I find it.
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