A Quote by Klaus Nomi

I do kind of transcend the song and give it a different meaning. — © Klaus Nomi
I do kind of transcend the song and give it a different meaning.
People do accuse me of being just decorative or an escapist - well I am. That's what I do. I am other things as well. I transcend the song and give it a different meaning.
I noticed with older songs that I perform that I'm coming from a different place with them now...it mutates the vibe and even the meaning of the same words when you have a different spirit, if the person singing is different. I like that, to be able to sing an emotionally wrought song from a more centered place, or to sing an eager, youthful song from a more experienced place. It kind of colors the songs differently, and it keeps them fresh.
My favorite song is called 'Reachout.' There are so many different stories told in that song. I think anyone who listens to it will gather a different meaning, but each answer is true. I also like the sound of it, period - there are a lot of classical influences.
I think every time I play, every show is different, and I think that at a certain point a song isn't about you anymore. It's about the audience, it's about how the song has worked its way into other people's lives and that kind of keeps the meaning of the song new, because you see it reflected in other people every night.
When you finish a song, your first thought is going to be, 'Is this song a hit?' I hate that we think that way, because it kind of takes a little bit of the meaning out of the songs that are being written, but you're definitely going to think, 'Can this song be put on the radio?'
I think it's good if a song has more than one meaning. Maybe that kind of song can reach far more people.
It's a different kind of satisfaction, different kind of enjoyment than making your own songs, to remake someone else's song that you really like.
It's so interesting how you can take a bad situation and make a great song out of it that somebody else can listen to and have a completely different perspective of the song and have their own meaning. That's what's great about it.
The future belongs to a very different kind of person with a very different kind of mind - creators and empathizers, pattern recognizers and meaning makers.
let us thank God for having made us this gift of death, so that life is to have meaning; of night, that day is to have meaning; silence, that speech is to have meaning; illness, that health is to have meaning; war, that peace is to have meaning. Let us give thanks to Him for having given us weariness and pain, so that rest and joy are to have meaning. Let us give thanks to him, whose wisdom is infinite.
Your questions refer to words; so I have to talk about words. You say:;: The point isn't the word, but its meaning, and you think of the meaning as a thing of the same kind as the word, though also different from the word. Here the word, there the meaning.
Everything perfect in its kind has to transcend its own kind, it must become something different and incomparable. In some notes the nightingale is still a bird; then it rises above its class and seems to suggest to every winged creature what singing is truly like.
The song succeeds or fails just based on whether you argue your point successfully. I like throwing images together, which create meaning if you listen to it one time, but if you listen to it another time you might get a different meaning.
I'm a very message-oriented artist, and each song has a totally different meaning.
One of my mottos for 'Currents' was 'Give the song what it deserves.' How would this song flourish? If the song could tell me what it wants, what can I give it? I tried not to dictate it with any sensible or logical decisions.
There are certain songs that just stick around and do something that transcends whatever time they were written in. Through different eras, people are able to impart different meaning to the song, and they become part of some sort of consciousness.
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