A Quote by Klaus Teuber

If during creative processes the desire for money and fame comes before passion and joy, the chances for a big hit decrease considerably, at least in my experience.
If you love money and you want to be creative, you cannot become creative. The very ambition for money is going to destroy your creativity. If you want fame, then forget about creativity. Fame comes easier if you are destructive.
I get up every morning with a desire to do some creative work. This desire is made of the same stuff as the sexual desire, the desire to make money, or any other desire.
In my experience with EEG Biofeedback and ADD, many people are able to improve their reading skills and decrease their need for medication. Also, EEG biofeedback has helped to decrease impulsivity and aggressiveness. It is a powerful tool, in part, because the patient becomes part of the treatment process by taking more control over his own physiological processes.
It's my wish that I can help creative people think of new ways to be creative - to get more joy and understanding from their own unique processes.
Every creativity has a motive. Either one does it for money, for fame, or for passion. My energies go out for passion.
... what the artist or creative scientist feels is not anxiety or fear; it is joy. I use the word in contrast to happiness or pleasure. The artist, at the moment of creating, does not experience gratification or satisfaction... Rather, it is joy, joy defined as the emotion that goes with heightened consciousness, the mood that accompanies the experience of actualizing one's own potentialities.
Fame will go by and, so long, I've had you, fame. If it goes by, I've always known it was fickle. So at least it's something I experience, but that's not where I live.
Most everything I do on a creative level is beyond the fame and money. I sort of work as an actor... and take care of my family and mouths to feed and all of that. I don't really care about fame, but our business means money sometimes and financial success, which I can pass on to my family.
Like every poor person, I used to dream about winning the lottery. I didn't just get money, though. I got fame. And I got fame before I got money, and it was scary.
Theater criticism should be visceral, at least on some level, an articulation of that fierceness and passion. I usually do a fair amount of research before I see a show - on the history of previous productions (if it's a revival) and the creative team.
What I fear and desire most in this world is passion. I fear it because it promises to be spontaneous, out of my control, unnamed, beyond my reasonable self. I desire it because passion has color, like the landscape before me. It is not pale. It is not neutral. It reveals the backside of the heart.
The hallucinogens produce visionary states, sort of, but morphine and its derivatives decrease awareness of inner processes, thoughts and feelings. They are pain killers; pure and simple. They are absolutely contraindicated for creative work, and I include in the lot alcohol, morphine, barbiturates, tranquilizers the whole spectrum of sedative drugs.
If fame goes by, so long, I've had you, fame. If it goes by, I've always known it was fickle. So at least it's something I experience, but that's not where I live.
The thing I love about hip-hop is that it's so creative. It's so creatively rewarding. When you hit it, and you hit it big, there are no words.
Sorrow is so woven through us, so much a part of our souls, or at least any understanding of our souls that we are able to attain, that every experience is dyed with its color. This is why, even in moments of joy, part of that joy is the seams of ore that are our sorrow. They burn darkly and beautifully in the midst of joy, and they make joy the complete experience that it is. But they still burn.
You can only feel creative when there is joy. When there is a sense of passion.
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