A Quote by Kodak Black

I got the type of voice where I can hit a tone if I want, but I ain't trying to be Fetty Wap or Future. — © Kodak Black
I got the type of voice where I can hit a tone if I want, but I ain't trying to be Fetty Wap or Future.
Fetty Wap's not one person. Fetty Wap consists of a tight family. When I go out as Fetty Wap, I represent the whole family. The family is RGF [Fetty's original label, RGF Productions].
I don't care about being Fetty Wap. Like, this doesn't mean anything to me. My plan was to make sure that my son would be good, and I have a daughter now, so now she's included into the equation, and the work I do as Fetty Wap made me care.
I went from trying to get people just to listen to my music, not necessarily knowing me, to this. I didn't want to be known, because I didn't want to be Fetty Wap... Me, I'm just a background guy.
I'm a big fan of Fetty Wap.
To see that people appreciate the work that I put in to make these songs for them, that's what makes me care. I don't care about being Fetty Wap.
I remember going on iTunes and 'Hamilton' was like the number one rap album, above like Fetty Wap, which is just impossible, like a Broadway cast album.
Fetty Wap is just a face. It's just a name and face.
I enjoyed playing any type of cricket. Didn't matter what type it was because I did not want to change my game. My game was built on one type of cricket: if there was a ball to hit, you hit it, whether it was Test matches, whatever it was.
I love everybody that's with me. All these dudes from Paterson - nothing happen to none of us. We won't go to jail. I make sure we don't. We don't stand on no corners. Ain't nobody carrying when they ain't supposed to be carrying. We don't pose with guns in the videos; we don't leave guns in the house. You'll never see Fetty Wap posting no videos with no guns.
I hope that 'Gambit' doesn't take ten years, but it takes a little honing to get that tone and that voice exactly right. The character has such a specific voice in the comic, in the same way that Deadpool has a specific voice in the comic, that we want to make sure that we capture that voice on the page.
I'm learning how to work my voice. I got some songs that you probably wouldn't even know it's me singing on there. I will sit there and take 20 takes until I hit that note right. It's different on stage - you've got to hit the notes that one time.
As producers, we can influence where the budget goes, but only the director really controls what tone, what type of movie you are trying to make.
The two things that hit you when you meet someone are, first, how they're visually put together and then, what they tell you with the tone of their voice - whether or not they're to be taken seriously.
I know climate change is a hoax – of course – but places that have never seen this type of winter weather got hit by it. More than a half a million southerners have been left in the dark --- and then the storm hit.
I want to make the music that's not there anymore. I'm so passionate about the singing voice... What I'm trying to do actually with my album is show that it's my voice that's leading. It's my voice that's the instrument.
Can't nobody do what Fetty Wap does. So when I go to the studio, it may be four to five hours max, probably three days out the week. I used to go to the studio for 10 to 15 hours, and I would do five to 10 songs. Now I go for four to five hours and I do, like, 15 to 20 songs. I'm an ad lib guy. Most people know me for my ad libs.
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