A Quote by Kodi Smit-McPhee

In L.A., I live right across from Universal Studios. — © Kodi Smit-McPhee
In L.A., I live right across from Universal Studios.
My grandmother was an actress too. In the thirties and forties she was under contract with Universal Studios. Crazy credits, lots of them. My dad was also under contract with Universal Studios. And my first film was shot on the same stage they both worked on at Universal.
And for me the only way to live life is to grab the bull by the horns and call up recording studios and set dates to go in recording studios. To try and accomplish something.
I'm going to live long enough to live in an America that will assume universal health care is a basic right. That will be amusing and terrific.
I have studios in the different places where I live - in Ibiza, Paris and London - but they're not crazy studios, they're just rooms with good monitors, and all I do is plug my laptop in. It's a different way to make music, but for me, I love it, because it's more connected to the world.
Florida has tons of entertainment opportunities because Walt Disney World and Universal Studios are there.
'I Am Jazz' was more for children to understand what it means to be transgender, but with 'Being Jazz,' I wanted to get the universal message across that we are all just people, and we have to live our lives authentically.
Thank you to Dr. Dre, Ice Cube, Universal Studios, and the Grammys for telling the story of what Compton was and is becoming.
We all live in a society where someone who lives right across hasn't eaten and you don't know it or you are having problems where you are close to suicide and no one knows; everyone is going about their duty and thinking everything is fine. It's a dual world we live in and there is so much going on and yet it is not so obvious because we all live in our individual worlds.
Current nationalism is merely the affirmation of the right of colonial elites to repeat historyand follow the road travelled by the rich toward the universal consumption of internationally marketed packages, a road which can ultimately lead only to universal pollution and universal frustration.
I love Buster Keaton. I was a big fan of the stunt shows at Universal Studios. I'm a huge Cirque du Soleil nut.
When I was at U.C.L.A., I worked my way through school as a tour guide at Universal Studios, and I came in contact with a lot of people in the agency business.
I'm first and foremost a company man, surprising as that is. I love Warner Brothers. That's where I have a deal. That's where I've been for years. So I don't really interact too much with other studios and do things with other studios and I don't necessarily read scripts from other studios.
Musicals are so expensive to put on the stage that you have to have the backing of a corporate, you have to have Universal Studios or Disney or somebody to put in the money.
To go back, the mistake that Universal Studios made with 'Dawn of the Dead' was that they didn't have enough money or cared enough to make a soundtrack.
After marketing surveys by Universal Studios indicated that 'Rocket Boys' as a movie title would not attract the female over-age-thirty demographic, the film was retitled and released as 'October Sky.'
Studios were just run differently. There really was a head of a studio. There were people who loved their studios. Who worked for their studios and were loaned out to other people and everybody sort of got a piece. Well now there's a handful now.
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