A Quote by Kodi Smit-McPhee
I think I'm the best fit for characters that have a lot going on inside.
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The best feeling you can ever have when you're working on a show is that the characters are still inside you, and they have a lot left to do.
The way I see the job, my definition of it, is to create characters to the best of your ability and then fit into what's trying to be accomplished in the general framework of the film. I think that's whether you're doing this- even if you're doing musical theater. That's what I think an actors job is. I don't know. I like to think what an actors job is is to create characters.
I think, going into a room for an audition, the best thing you can do is represent who you are specifically as an individual and what you can bring to a creative process in a room - as opposed to being worried about 'where you fit' - because that's really their job to decide where you fit. Your job is to just present the best 'you' you can.
In general, I think writing characters, no one is 100 percent good or bad, and certainly, the bad characters never think they're bad themselves. Even the worst characters don't feel like they're bad guys on the inside.
It's tough, but you can still find joy in the struggle. Going through a season with a lot of struggles, I got a lot of practice. You have to set yourself up for joy, give yourself the best opportunity to have that going on inside.
Puma was a great fit for me. Obviously, they were looking for someone that was going to fit their brand, and I was looking to wear stuff that was going to fit me and not where I was going to go out and just blend in with everyone else. So it's been a great fit.
At first I didn't think I was going to fit into Barcelona's way of playing. There was a lot of tiki-taka and I was thinking that without a lot of space to play in, I'd find it more difficult. I worried about that.
I love playing women, and I think that this is a throughline to a lot of the characters I've played - they all have this aspect of being wronged. And I think, a lot of the time, the characters are actually wronged by themselves, and they find someone else to blame it on.
I think the Muslim religious is a little too tight. It doesn't fit humans. Humans can't possibly fit into it, so there are a lot of really unhappy people, terribly repressed. It is a religion that works against you because the template don't fit. It's not human, you know.
Sometimes a relationship is what falls cause it's not fair that, that person has to fit inside your life or you have to fit inside that person's life.
President Obama, I think, wanted what was best for the country, but I think it didn't work well. I think we have the death spiral, and I think particularly premiums in the individual market are going through the roof. Republicans want what's best for the country, but I think they're not fixing the death spiral of Obamacare. They're going to subsidize it with a lot of taxpayer money. So, characterizing something as mean or generous I think goes to people's motives, and I think it is sort of why we have such an angry country now. We think that people have ill motives.
I think a few of my most visible roles are crazy or peppy girls, but I've played a lot of characters who are soldiers, or fighters, or meditative characters, and a lot of this stuff hasn't come out.
I think everybody came into it with the understanding that they would go through an experience that is literally not by the book, that is not executing the script and then going home, but living and breathing these characters and being in the moment with each other, and improvising and creating a lot of present-tense intensity between characters.
When you don't know where you fit inside the home and you're young and you're desperate to fit in somewhere, I'd figured where I would fit outside the home. So I made some obviously bad decisions about who I hung out with and the things that I did.
And there's even a lord named Lord Dashwood [like the characters in Jane Austen's Sense and Sensibility]. It's very steeped in Austen. It's been used in many films, but not in its entirety and we shot the inside and the outside and used every nook and cranny. The inside is very gaudy. It's a little naughty inside. There's a lot of portraiture.
I think when I came into the league, I had to find something that would keep me around. I knew I wasn't going to get the ball a lot, being the younger guy on my team. I knew I wasn't going to play a lot unless I made some sort of impact on the floor. I wasn't the best shot blocker, so I said, 'Let's be the best rebounder the league has ever seen.'
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