A Quote by Koel Mallick

When you are living a character, the emotional graph comes pretty organically. — © Koel Mallick
When you are living a character, the emotional graph comes pretty organically.
Google created the intent graph. Facebook created the social graph. We are creating the emotional graph.
I don't have any particular method, my approach is very simple. I try to understand the emotional graph of the character.
Dubbing can change the 'sur' of the character. Doing it for another actor and to make it believable is tricky but interesting because you do not know the graph of the character.
If Facebook gets your entire social graph, you don't necessarily want to share everything with your entire social graph. You might wanna parse that social graph. So there's a company called PASS that is a private social network that I personally use for my friends and my family.
In 'Tintin,' it's like a live-action role. You're living and breathing and making decisions for that character from page 1 to page 120, the whole emotional arc. In an animated movie, it's a committee decision. There are 50 people creating that character. You're responsible for a small part.
Facebook is the social graph with the organizing principle around your friends and your social life. LinkedIn is the professional graph, organized around you, your job, your industry, your title and your function. At Chegg, we are building a student graph centered around you, as a student.
I think I make most of my decisions pretty organically.
At the other end of the spectrum is, for example, graph theory, where the basic object, a graph, can be immediately comprehended. One will not get anywhere in graph theory by sitting in an armchair and trying to understand graphs better. Neither is it particularly necessary to read much of the literature before tackling a problem: it is of course helpful to be aware of some of the most important techniques, but the interesting problems tend to be open precisely because the established techniques cannot easily be applied.
There were time when I was into method acting that I did have moments of residual character emotions, because the method bases your emotional responses as a character on emotional experiences from your real life.
I believe in living life organically, taking it as it comes.
Living in my parents' house is pretty sweet. It's not like they're rich or anything, but they're pretty nice to me, so it was pretty good living there, too, and all I did was jujitsu. I was just like a stallion, just living on my parents' couch. It wasn't terrible.
'Feel It Still' came around pretty much as organically as you can put a song together.
Facebook has stitched together your social graph. The idea of an interest graph is to bring together everyone that has shared interests. If I can isolate the people who are into mountain biking in Marin, in one place, the ability to put ads against that is really high.
So this is the only TV show in America where I am quite confident that you, the audience, will share my excitement when I tell you that coming up in our next segment, we have the best graph ever. Best graph ever.
What makes a good villain is someone who doesn't just challenge the hero but comes organically out of that character's history and circumstances.
Anytime you want to hear about graph partitioning, I will be glad to tell you what I know about graph partitioning. It remains a standard problem. I think it's an interesting problem, because it shows up in a variety of guises in real life.
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