A Quote by Koel Mallick
I get butterflies in my stomach. I'm so nervous that I can't bring myself to visit a theatre to catch the first show. But I do attend the closed door screening of the film, usually held a day ahead of its release.
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Even if you only play a cameo in a film, it becomes a part of you and you get butterflies in your stomach on release day.
There is no point in getting nervous. I get a few butterflies in my stomach, but it isn't really nerves but things that will help your game.
I like to feel the butterflies in the stomach, I like to go home and have a restless night and wonder how I'm going to be able to accomplish this feat, get jittery. That hunger and those butterflies in the stomach are very essential for all creative people.
When people say they aren't nervous, I think they are lying about it. If you are human and you love the game, before any competition you still get those same butterflies in the stomach.
Every time you go out there, you want to be a little nervous, have a little bit of butterflies in your stomach and get the juices flowing.
I did a couple of little Off-Broadway things, but my first Broadway show was A History Of The American Film, written by Chris Durang. Swoosie Kurtz was one of the stars. It was a wonderful show. It closed in 40 performances. I think it was kind of ahead of its time.
You want to bring it every day. But if you have a bad day in the theatre, a couple of hundred people see it. That sucked; we'll get back to it. You have a bad day on film, it's just on DVD for the rest of your life.
The first trip I can remember would have to be to Marianna, Arkansas. My mother's parents are from there, and we'd go every year to visit the church where they were buried. We'd attend church service that day, put flowers around their tombstones, and visit with family and friends that still lived there.
There are times when I do feel very nervous when I start a film. And I feel very nervous before the release. I do get stuck in some scenes, but that's very natural and human. It happens to all the artistes in the world.
I get terrified the first day I'm on a film set. I get nervous walking down a red carpet. I find making speeches the most terrifying thing in the world.
The first thing I do when I get up is pray and meditate to center myself for the day ahead. I ask for inspiration in my creative endeavors, guidance in my relationships and patience in my journey. It's a great way to get focused for the day.
When you work on a film, it's important to feel that you are starting afresh and doing it for the first time. Also, it's important to have those butterflies in your stomach; you need to wonder how you are going to approach the character and whether you will be able to do justice to the part.
At the first screening, there were a lot of areas that we went around and around about. Then we had our second screening. It played better. It's almost a reasonable length film now!
When I get nervous, I go to the library and hang around. The libraries are filled with people who are nervous. You can blend in with them there. You're bound to see someone more nervous than you are in a library. Sometimes the librarians themselves are more nervous than you are. I'll probably be a librarian for that reason. Then if I'm nervous on the job, it won't show. I'll just stamp books and look things up for people and run back and forth to the staff room sneaking smokes until I get hold of myself. A library is a great place to hid.
In film you have the script months ahead of time often, for a good film, but in television it seems like you might not get the script until a week or two weeks before you've got to film it. It's a little weird, but also quite challenging. It reminds me of repertory theatre.
That’s how Ptolemy imagined the disposition of his memories, his thoughts: they were still his, still in the range of his thinking, but they were, many and most of them, locked on the other side a closed door that he’s lost the key for. So his memory became like secrets held away from his own mind. But these secrets were noisy things; they babbled and muttered behind the door, and so if he listened closely he might catch a snatch of something he once knew well.
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