A Quote by Koel Mallick

I feel, it is essential to see oneself on-screen so as to be a better judge of one's performance. — © Koel Mallick
I feel, it is essential to see oneself on-screen so as to be a better judge of one's performance.
To become a better actor, one needs to look inwards and understand oneself better. Then, you can create magic on screen.
You can be moved by a performance on set, but when you see it on screen, it does nothing. Yet there will be someone you simply didn't notice on set that on screen: bam!
I used to think I needed to have drama at all times, or I wouldn't have the fuel for the performance. Now I know that's not true. That doesn't mean I don't feel it, but I recognize it when I do and put the brakes on. And if the performance isn't what it might have been once, I've learned not to judge myself as much.
Some runners judge performance by whether they won or lost. Others define success or failure by how fast they ran. Only you can judge your performance. Avoid letting others sit in judgment of you.
Often, when you see yourself on the screen, you feel like a sweater that's been put through the washing machine. You have the impression of having done something full and luminous, and suddenly, when you see it on the screen, it's turned back into a tiny little thing.
It is much more difficult to judge oneself than to judge others.
Religion promotes the divine discontent within oneself, so that one tries to make oneself a better person and draw oneself closer to God.
I feel like with every performance that I see, I get better because I've always thought - while I'm watching people perform - of what I would do.
What happens off-screen definitely informs your performance on screen.
A screen actor is compensated in the knowledge that millions will see his performance at one time, where only hundreds will see it on the stage.
It's not what you see on-screen that makes a performance. It's the things you should never know about - it's the secrets.
What normally we see is the finished product, someone's performance on screen, but behind the scenes, a lot goes into it.
I don't judge a player by T20 performance, I judge them from their performances in longer version of cricket.
A large part of my filmmaking self has to do with my love of being in the cinema audience, and my relationships to what I want to see on the screen, what I have seen on the screen and what I don't want to see on the screen again.
You mustn't judge a politician by talk. You have to judge them by performance.
I just constantly judge myself based off my performance. When performance isn't good, I let it bring everything down.
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