A Quote by Koena Mitra

A lot of people don't watch cinema. They can't afford movie tickets, they can't go to theatres to watch cinema, they are not on social media. How do you reach out to those people as an artist?
It is good that people are experimenting with cinema. They are trying to do serious and soulful cinema but such films don't stay in theatres for over a week. People ultimately go and watch Salman, Shah Rukh and Amir Khan films.
When TV came, people said who will go to theatres to watch movies? When the Internet came, they said the same. And now it's the digital media... The doomsday predictions are always there but I don't think people will stop going to cinema halls because that is one experience you can't get at home.
Actually I don't watch a lot of films but when I do, I like experimental, avant garde, European and world cinema. That is the language of cinema I am drawn towards. I don't watch much Hollywood or Bollywood.
I don't even watch many huge films. I don't go to the cinema every weekend. I watch selective cinema and want to make my kind of films.
People who would go to an arthouse cinema and watch a Swedish movie and read subtitles... it's a small percentage.
In a film festival, people come to watch because they are interested in cinema. It's not like watching a premiere show or being in any cinema hall, where you are not with like-minded people.
I watch all the classic films that film people say that you ought to have seen, and I try to watch things in the cinema when they come out, just to keep my eye on the competition. I'm bored when I'm not working.
People expect to see white guys, Sunday afternoon, on 'Face the Nation.' And people with a direct interest in politics do watch those shows. But not a lot of normal people watch those shows. But, 'Real Time With Bill Maher,' it's unbelievable how many people watch that.
I don't watch the kind of cinema where people say, 'Leave your brain at home,' and watch.
For people to understand, you can't speak 'cinema.' Cinema doesn't have alphabets, so you have to go to the local language. Even in England, if they make a movie in London they have to make it in the Cockney accent, they can't make a film with the English spoken in the BBC. So cinema has to be realistic to the area that it is set in.
I think working as an assistant was a part of knowing people who like cinema, and to learn from a movie, you have to watch it.
I remember going to the cinema to watch 'Blade Runner' when I was 14 or 15. It was a huge flop when it came out. The cinema was almost empty. I was blown away by it.
Why do people go to the cinema? What takes them into a darkened room where, for two hours, they watch the play of shadows on a sheet? The search for entertainment? The need for a kind of drug? ..I think that what a person normally goes to the cinema for is time: for time lost or spent or not yet had. He goes there for living experience; for cinema, like no other art, widens, enhances and concentrates a person’s experience-and not only enhances it but makes it longer, significantly longer. That is the power of cinema: ‘stars’, story-lines and entertainment have nothing to do with it.
'2.0' is an entirely new thing in Indian cinema, a movie to watch out for.
I think that's my favorite thing about making scary movies, watching people watch them. When my films come out, I like to cinema hop and know what moments are coming up, I pop my head in and watch people squirm or slide down in their seats. I like that sadism!
Cinema will not go anywhere. We want to watch movies in theaters. Cinema and digital will coexist.
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