A Quote by Koena Mitra

In Bollywood they think if a leading lady can do one free-falling kick she's achieved the unthinkable. — © Koena Mitra
In Bollywood they think if a leading lady can do one free-falling kick she's achieved the unthinkable.
On 'Swingtown,' I think that's when I was able to blend the character-slash-leading lady roles, and that's what I'm doing on 'Once Upon a Time' as well. She's a leading lady, but she's also this character.
No leading lady in Bollywood has much to do in a film and I am no Kareena Kapoor who will have filmmakers write a 'Heroine' for me.
Raven jerks and stiffens. For a second, I think she is only surprised: Her mouth goes round, her eyes wide. Then she begins teetering backward, and I know that she is dead. Falling, falling, falling . . .
I'm a character actress. It doesn't mean I can't do leading roles; I don't think of myself as a leading lady.
In almost every musical ever written, there's a place that's usually about the third song of the evening - sometimes it's the second, sometimes it's the fourth, but it's quite early - and the leading lady usually sits down on something; sometimes it's a tree stump in Brigadoon, sometimes it's under the pillars of Covent Garden in My Fair Lady, or it's a trash can in Little Shop of Horrors... but the leading lady sits down on something and sings about what she wants in life. And the audience falls in love with her and then roots for her to get it for the rest of the night.
A proper lady should be able to smile pretty, wear sequins like she means it, and kick a man's ass nine ways from Sunday while wearing stiletto heels. If she can't do that much, she's not trying hard enough.
I was always the hero with no vices, reciting practically the same lines to the leading lady. The current crop of movie actors are less handicapped than the old ones. They are more human. The leading men of silent films were Adonises and Apollos. Today the hero can even take a poke at the leading lady. In my time a hero who hit the girl just once would have been out.
When I think of Bollywood dance, I think of choreographies from the '70s and '80s. That was true Bollywood, what is now known as old school Bollywood.
In an atmosphere of liberty, artists and patrons are free to think the unthinkable and create the audacious; they are free to make both horrendous mistakes and glorious celebrations.
'Heroes' was great, but I was like the sorority sister, the friend. So often, we as black women, we are cast as the best friend; we are rarely the leading lady. So for me, being on 'The Flash,' it's been so important for me to be the leading lady, to be the woman that is desired by the superhero, to be the hero herself.
Harcourt sent my book to Evelyn Waugh and his comment was: “If this is really the unaided work of a young lady, it is a remarkable product.” My mother was vastly insulted. She put the emphasis on if and lady. Does he suppose you’re not a lady? she says.
When the fat lady comes out to sing, we don't know how she feels that day. We don't know if she's suffering from a cold or is mourning a death or falling in love. We don't know. But so all of that chance is the performance.
Ladylike is the beastliest word there is, I think. If a girl isn't a lady, it isn't worth while to be only like one, she'd better let it alone and be a free and happy bounder.
As the 1960s began, a new breed of Hollywood leading lady was emerging. She was elegant, international, and wonderfully comedic.
I was supposed to be a romancer, either wooing the leading lady or competing with the leading man for her.
TV is kind of messed up in terms of stereotypes and who plays the leading man and leading lady.
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