A Quote by Koena Mitra

There's no point in doing a dozen films per year, which come and go. — © Koena Mitra
There's no point in doing a dozen films per year, which come and go.
Somebody can do a ten year stint in jail and when they come home, they can be a rapper. Or, they can go from doing the 9-5 thing and become a rapper because everyone else is doing it. I think that the test of time will tell. If you look around you'll find out who really wants to do it and who is doing it for the come up. I think that's the greatest separation. At some point along the line, it became gangsta to not be talented!
I don't want to do roles in films which I have already done on TV. What is the point of jumping to films and doing the same thing?
I'm not exactly the type of actress who does half a dozen films a year.
If one in twenty does not seem high enough odds, we may, if we prefer it, draw the line at one in fifty (the 2 per cent. point), or one in a hundred (the 1 per cent. point). Personally, the writer prefers to set a low standard of significance at the 5 per cent. point, and ignore entirely all results which fail to reach this level. A scientific fact should be regarded as experimentally established only if a properly designed experiment rarely fails to give this level of significance.
I've been in those relationships. You go through years of your life and at a certain point you wake up and you go, god, what am I doing here? What have I spent the last three years doing? Part of it is learning, this process you've gotta go through. You have to recognize the point at which you're not learning anymore, and be able to let it go.
I'm always running around trying to raise money to make the films. Fortunately, I've been able to do that, but if I can't, at this point, it's not like I wanted to spend a lot of time putting together, you know, you spend a year of your life on something, you go, "What the hell am I doing that for?"
I am not that kind of a director who makes two films per year.
There was no point of doing films which could not add to my career growth.
It's remarkable how we go on year after year, doing the same old things. We get tired and bored, and ask when they'll come for us
The first year with the success that we had and let me point out that the time frame changes depending on which decade you look at it. In the seventies acts were kind of expected to do an album a year. If you look at the Beatles they were doing three a year.
A lot of directors, they don't go into the editing room during the shoot. When they come back, they've forgotten what they've shot. That's why their films come out a year after they shoot them.
If you read one hour per day in your field, that will translate into about one book per week. One book per week translates into about 50 books per year. 50 books per year will translate into about 500 books over the next ten years.
'Hard-working' is what gets the job done. You just see that year after year. The students who thrive are not necessarily the ones who come in with the perfect scores. It's the ones who love what they're doing and go at it vigorously.
When you live in Israel, there are restrictions which come from budget definitely. I came to the point where I had shot many fiction, many feature films, but at one point it began to bore me. It was boring because when you're Gordon Willis or when you are a legend of American cinematography, you know that you are gradually building yourself and you can go into bigger budgets and experiment more. In Israel, the budgets are very, very limited.
I think the kind of films and roles I do takes a whole year... I think it is justified. At some point, we have to come to that place where we are equally paid. It is a small step... we are headed to that direction.
Seven out of my nine films were hits. 80 per cent of the audience loves my films; the remaining 20 per may be right in their opinion, but that doesn't make me wrong. If I try too hard to woo them, I'd be cheating my core audience.
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