A Quote by Kofi Kingston

I know how it feels to sit on the sideline and watch a spot that is supposed to be yours taken. — © Kofi Kingston
I know how it feels to sit on the sideline and watch a spot that is supposed to be yours taken.
And how do you know when you're doing something right? How do you know that? It feels so. What I know now is that feelings are really your GPS system for life. When you're supposed to do something or not supposed to do something, your emotional guidance system lets you know. The trick is to learn to check your ego at the door and start checking your gut instead.
How was I supposed to know what's real and what's not? It feels like I'm the only one who doesn't know the difference.
It feels like it is a daily work and an ongoing task to undo all of the f - - g programming that I have had all my life about who I am supposed to be and how I'm supposed to look and that I'm supposed to win. It's a daily deconstruction of all that bullshit.
When I have a nice rhythm going, and I have my toss in the right spot, when everything is kind of working how it's supposed to be, I think it's just really easy, you know, and I don't have to overthink on it.
Kids are so accustomed to technology that it's upsetting to watch them without their phones. They don't know what to do. Sometimes I feel like I'm like that, too - if I get my phone taken away because I'm grounded, I don't know what to do. So I just have to sit in my room and stare blankly at the ceiling.
To be able to sit back and enjoy the game, sit back and watch guys that you know played and you might have worked with it or you personally know, it's cool; it's awesome to sit back and say I know that guy because you're more of a fan of that game and that person.
As people, we have forgotten to be people. We know how to be doctors, lawyers, nurses, teachers, we know what to do, we know what to buy, but how do I just sit with you in your pain? How do I sit with you in your vulnerability and not betray you, not abuse you? We do not know how to do that, even in our homes.
The trouble with the jokes is that once they're written, I know how they're supposed to work, and all I can do is not hit them. I'm more comfortable improvising. If I have just two or three ideas and I know how the character feels, what the character wants, everything in between is like trapeze work.
They don't draft you to sit there and stand on the sideline.
I see life everywhere I look. I get the energy off the water. Hawaii really, when I am there, it feels like how we are supposed to live and how it's supposed to be: slower, just appreciating our surroundings. I love the people there and the aloha, the history. They're really rooted in something.
I know how it feels to go into a studio to start a record, and eight weeks later it's finished. I know how an intense schedule feels.
It feels good to watch TV and know that you're being represented on somebody's network and for certain communities, it feels even better to know that you're being depicted truthfully.
You have to find the sideline-to-sideline guys who can play every down.
In general, I try to avoid anything that I'm in. I've been that way for awhile. I don't know why. You have to watch, professionally, the things that you're required to watch, but it's not something that I would sit down and watch, again and again.
My new obsession is 'Storage Wars.' I don't know how such a simple show concept can be so addicting, but I can sit and watch marathons of it.
You know, I don't sit here and watch, uh, I don't watch CMT videos and listen to country radio all the time.
This site uses cookies to ensure you get the best experience. More info...
Got it!