A Quote by Kofi Siriboe
Ralph Angel was such a great character. The single-father image has been portrayed in so many ways so having the ability to be a part of that narrative excites me!
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The story of my life has been of public interest, which is why I've been so passionate about having a private identity. When I step into a character, people have to be able to suspend their disbelief; they have to be able to divorce me from Hermiona. And not having everyone know every single intimate detail of my entire life is part of me trying to protect my ability to do my job well.
[Ralph Angel] was really about figuring out the humanity aspect of the character and not really paying attention to certain things like him being incarcerated or him being a father and showing that type of love and putting something before you, despite me not having kids in real life. He's vulnerable, ambitious and alive.
The ability to be present with every single person and engage was a great model for me of the work that a writer needs to do. Writers, living or dead, still guide me in many ways.
So many times we're portrayed in ways that we don't want to be portrayed, in ways that make us seem so ridiculous.
The close-up has no equivalent in a narrative fashioned of words. Literature is totally lacking in any working method to enable it to isolate a single vastly enlarged detail in which one face comes forward to underline a state of mind or stress the importance of a single detail in comparison with the rest. As a narrative device, the ability to vary the distance between the camera and the object may be a small thing indeed, but it makes for a notable difference between cinema and oral or written narrative, in which the distance between language and image is always the same.
I've done so many funny jobs. I worked at a farmer's market through high school. I worked in the stock room of Ralph Lauren. I graduated to salesperson at Ralph Lauren, which was a big deal to me. I've been a P.A. I've been a stand-in. I've been an assistant's assistant.
So I sat down with him and portrayed more the side of the character he needed to see. Which is what I do when I go in for an interview for a part I like. As much as you think you're dealing with creative people, they see you for what your image is out there.
South Central's been portrayed so many different ways in the media for however long.
While Donald Trump doesn't have any systematic ideology, he does have a narrative, and in that narrative, America was once a great country, it's been weakened by poor leadership, and only he can make it great again by taking over. And that's an image of himself as a strongman, a dictator. It isn't the clear ideology of being a fascist or some other clear-cut ideological figure. Rather, it's a narrative of himself as being unique and all-powerful. He believes it, though I'm sure he's got doubts about it.
I think my sensibilities about storytelling and character just automatically come into play when I'm trying to work on any kind of narrative. For me, it doesn't really matter what the source of the narrative is. I will be looking for ways to make it into an intriguing story with empathetic characters.
In some ways, I've been left with this great 'idolic' image of my father, but there's a sense of absence, too. You miss his advice and, also, his getting to know the person I have become.
Ralph Angel, for me, was about getting in touch with the similarities between the characters. I felt like he was a human being that I knew and [somebody] that I've been and am currently still exploring.
What excites me? Had you asked me that question a few years ago, the answer would’ve rolled right off my tongue. Today, I think it's moving and uplifting my audience. Having them get it and go with it. That excites me.
Teams ask me about my character, but until you sit down and talk to me directly, you might have image that's portrayed in stories or headlines. But I love the game, I'm up front and honest, I know exactly what I'm about, and that's the most important thing.
I love working with Alicia Keys, because it's not just the ability to do the dance to me; I think it's the ability to interpret it that excites me the most.
I like the idea of having many different ways to express myself. There is a part of me as an artist and a creator who would like to express myself in many different ways. But then at the same time I know I have limited hours in the day, and I can only do so much successfully.
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