A Quote by Kofi Siriboe
If I choose this platform [The Black Arts Movement] and God validates this platform, I feel like we have to use the hyper-reality to get people closer to [actual] reality. Right now is so special because it's the information age and people just want to be aware and there's no better way of doing that than through art.
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When you first get into television it is a big deal, then you realize you are no better than anyone else, we just have a platform to use, to help other people. I use that platform for the work I do in the military, the work I do with cancer because I was fortunate enough to get that platform.
It's all about how you use your social platform. Right now, I'm just using mine to empower people, get my entertainment and my news. Other people use their platform for different things.
The reality of the matter is I'm blessed to be able to do what I can and to have this platform. For me, I'm going to try and do everything that I can to use that platform to help those who don't have the ability to spread their voice that people will hear them.
Reality shows are a beginning for people but I don't think it's a good platform because if you see any of the reality show winners... We really had to crawl our way up and find an opportunity in the industry to become famous but a reality show can't give you that.
I like pop music because it can really affect a large amount of people and if I tell stories and spread messages that I think are really important for people to be aware of, I would want it to be on the biggest platform and I feel like pop is that. I use it as a way to tell stories.
We're very lucky. We've been blessed with a platform, and what you can do with that platform, you can do a million things with it. I guess I just take pride in using the platform the right way.
Because most of my career in the classroom has been at art schools (beginning at Bennington in the 1970s), I am hyper-aware of the often grotesque disconnect between commentary on the arts and the actual practice or production of the arts.
I think the I Am album allowed me to show fans that I'm more than just a mixtape artist, who can make music on a different platform, a bigger platform, and I think more people respect what I'm doing now.
I want to appeal to people's sense of humanity and interconnectedness. I feel like I have the platform I'm standing on for a reason. It's not just to make people happy and get people to dance and sing, to feel an escape. It's also to get people to listen and to bring important issues to the forefront.
I use the iPhone now for information. But with selfies, I don't know what those people are doing. It's like they believe what they see is real, even with the [filters]. And God bless them! But to me, it's not a self-portrait, it's a reality project.
I have a little two-bedroom house and that's the way I like it. We live in a time where it's cool to present this luxurious lifestyle on social media. I don't want to be a part of something that makes people not be happy with their own life and crave this false sense of reality. I don't want people who are working that blue-collar job and barely getting by to feel bad. I don't want those people to feel like they're not doing something right because they're not flying around on jets or driving fancy cars. I never want to make them feel like they're not worthy.
Beyonce has a platform; what's a better way to speak on your platform than through your music?
Our biggest thing is, any player who's protesting will tell you that the only reason we use the anthem is because it's a platform like no other. We use it to draw attention to other issues. We've heard from many people, 'Use a different venue. Use a different platform.' Quite frankly, this is the most effective one.
I'm very thankful for the platform I've been given, and I realize that I'm a role model for many people. I want to use my platform to spread positivity.
People think that computer science is the art of geniuses but the actual reality is the opposite, just many people doing things that build on eachother, like a wall of mini stones.
In general, in all my films, I choose to create a certain mistrust, rather than claiming that what I'm showing onscreen is an accurate reproduction of reality. I want people to question what they are seeing onscreen. In the same way as I used the narrator, I also used black and white, because it creates a distance toward what's being seen. I see the film as an artifact rather than a reliable reconstruction of a reality that we cannot know.
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