A Quote by Kohta Hirano
Humans don't see what they don't want to see. No one wants to be put down. That's why people do nothing even when they do know something is happening.
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Gnomes live ten times faster than humans. They're harder to see than a high-speed mouse. That's one reason why most humans hardly ever see them. The other is that humans are very good at not seeing things they know aren't there. And, since sensible humans know that there are no such things as people four inches high, a gnome who doesn't want to be seen probably won't be seen... Wings.
I know you can't see it, not you, Ed, but maybe if I tell you the whole plot you'll understand it this once, because even now I want you to see it. I don't love you anymore, of course I don't, but there's still something I can show you. You know I want to be a director, but you never truly see the movies in my head and that, Ed, is why we broke up.
I'll write this all down for you," I said. "I'll put it in a story." I don't know if that's what he wanted to ask me, but it's something everybody wants--for someone to see the hurt done to them and set it down like it matters.
I see something happening in the world, and I want to share it. It's why, during 9/11, I wrote every few minutes what I saw happening. It's why I write about meeting Steve Wozniak or Bill Gates or Larry Page.
You never know anymore if you'll see something you don't want to see, if you're jealous of something, if you're going through a breakup and you see something, so I just don't even look at those things any more [ in Instagram].
I never want to be told, "Hey, this is what you do best, and this is the only thing you're going to do." And there are other people that are put into that box. Or unable to navigate through all the different genres. Some people insist on being a tough guy even though it's not happening. People only want to see them in leading romantic roles. Yet they continue to try and force something that doesn't feel organic to people.
I think it's a dance that people want to see. It's a chemistry that people want to see. In the same way that people don't want to see a perfect hero with no flaws who can handle anything, people don't want to see a perfect relationship. There's nothing interesting about that. People want to see you fail.
Superhero power... I probably would just want to fly. I definitely would not want to be able to see through walls. I think walls are there for a reason. People put them up for a reason. You don't want to be looking through them. That would only cause nothing but misery and angst to know what's happening behind people's walls.
When I'm an audience member I do not want to go and see something that I already know, I want to see something that I don't know. I want to be surprised and stimulated to think about something. I want the magic. I want to be in a situation of uncertainty; that's what excites me.
We want Ollie to go to all the different events and see Republicans and see Bernie Sanders and just kind of experience it and be able to make up his own mind for what he wants, none of his friends know anything about politics. Granted, they're only 9, they don't vote for a while. They just completely don't understand why are all these people coming to New Hampshire, why this is so important.
I don't want to see anyone. I lie in the bedroom with the curtains drawn and nothingness washing over me like a sluggish wave. Whatever is happening to me is my own fault. I have done something wrong, something so huge I can't even see it, something that's drowning me. I am inadequate and stupid, without worth. I might as well be dead.
I don't see why people can't praise when they see something done well - even if it is by a woman.
Who wants to become a writer? And why? Because it's the answer to everything. ... It's the streaming reason for living. To note, to pin down, to build up, to create, to be astonished at nothing, to cherish the oddities, to let nothing go down the drain, to make something, to make a great flower out of life, even if it's a cactus.
I guess the biggest lesson would be to have faith in that little part of yourself that knows what it's doing, knows what it wants, knows what you should be doing, even when all the clamour around you is telling you something else. That's the part that you want to keep alive and that's the part that people want to see when they see you on the screen.
A good director creates a playground for actors, and lets them go. The trick for a good director is in casting properly, and creating the playroom, and then they'll get stuff that they don't expect, and can't even direct. All the audience wants to believe is that whatever is happening, it is happening for the first time. They want to see the people within the work exchanging dialogue and action in that moment. There are not a lot of actors that can do that.
Everyone's a critic: when you are doing something good, everybody wants to bring you down, and that's something I've been told. People want to see you do good, but not too good.
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