A Quote by Kola Boof

When I couldn't speak English, I loved silent films circa 1914-1929, Abel Gance being my favorite director. — © Kola Boof
When I couldn't speak English, I loved silent films circa 1914-1929, Abel Gance being my favorite director.
I've always loved silent movies. I recently saw 'Tilly's Punctured Romance' at the Academy, which is the first comedy made with Charlie Chaplin in 1914, and I sat there, and I couldn't believe that the entire audience of 2,000 people were laughing that hard from a movie made in 1914 - and there were no words; it was all faces.
There has come a time when we can no longer remain silent but must speak up for our country which is being sold, abused, mined, depleted, drained, overworked, over-loved, its plants and animals becoming endangered and exterminated faster than we can renew them. Our country is silent, so we must speak and act to save it.
The first question is always, 'We loved him on 'Dancing with the Stars,' we loved him in the Olympics, but can he speak English?' Yes I speak English. Yes, I can.
I never thought of becoming a director. When I was twelve, the passage from silent film to the talkies had an impact on me - I still watch silent films.
A lot of country making films in English, but in Japan we are very shy to speak English.
When I moved to Bombay, it was very harsh. I was nothing like what I am today. I couldn't speak a word of English. In England, people might be very understanding about that, but in Bombay, they're not very forgiving. 'If you don't speak English, how do you expect to work in Hindi films?'
I loved 'Junebug.' It was one of my favorite films, my favorite type of film.
I loved cowboy films and TV series, and I learned bits of English from them. My favorite was 'Laramie', with Robert Fuller and John Smith. I used to watch 'The Lone Ranger', which had been famous in Japan as well. I idolized these cowboys.
Truth be told, actually, my favorite director of the Movie Brats was not Scorsese. Loved him. But my favorite director of the Movie Brats was Brian de Palma. I actually met De Palma right after I'd done 'Reservoir Dogs,' and I was very beside myself.
There is always that age-old thing about England and America being divided by a common language. You think that because we speak English and you speak English that you're bound to understand and like everything that we do. And of course you don't.
I got involved through the director of the show [Top Chef], he's a director of films in Mexico; I worked with him before. I watched the show in English -many times for many years - and I always loved it. As soon as I heard about having an opportunity to showcase Mexico in a different way, to show a different side of Mexico, that is not violent, that has beautiful colors and delicious food... I didn't think about it twice.
I love the silent era because you can see the rules being written, the grammar of film being created. Most of my films are in some way love letters to the silent era.
I want to speak English perfectly. In fact, I want to speak English just like I fight, and, until that moment, I find it very hard to do an interview solely in English.
I love some films with very silent characters, people who don't speak, but I wouldn't be able to do that.
I always loved silent movies. I was not a specialist, but I loved them. And when I started directing, I became really fascinated by the format - how it works, the device of the silent movie.
Making movies in France is different, but it's still acting, you know. You still have doubts and you're scared, always, but I really love doing films in America, because I love to speak English. But I think there's something very entertaining about American films. But I also like the intimacy of French films.
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