A Quote by Konkona Sen Sharma

I think most of the times there is a disconnect between audience and filmmakers. — © Konkona Sen Sharma
I think most of the times there is a disconnect between audience and filmmakers.
One of our big tools is screening. We screen usually 12 times, which is much more than most filmmakers do, and we recut in between each one, because we really need to feel how the audience is reacting to the movie.
Whereas with foreign coverage there's a much broader disconnect between you and your audience.
Emotionally, light very much influences, I feel, the audience. It's not something that most audience members are conscious of, which is a good thing, because it means as filmmakers, we have the opportunity to gently control an audience into feeling a certain way.
There is real danger of a disconnect between what's on your business card and who you are deep inside, and it's not a disconnect that the world is ready to be patient with.
They'll give you an Oscar if they think you're about to drop dead. The problem with The Oscars is, the average age of The Academy is 84. They wheel those people in from Palm Springs and hook up their IVs and they vote. The people that go to movies are under the age of 28, for the most part, so there's this total disconnect between what the Academy thinks is a great movie and what the audience actually wants to see.
I think filmmakers, in general... There are some awesome, really great filmmakers - but on the whole, filmmakers, actors, I think they are the biggest bunch of whiny, over-paid babies on the planet.
There is a complete disconnect really or should be a disconnect between the retail price of the milk and what's actually going on in the marketplace, and what influences the farm gate price is the export market.
I think that's Glassjaw's identity - the disconnect between what we think we are and what our fans think we're supposed to be. Whenever I read reviews of our stuff, I sense that.
While it is increasingly possible for filmmakers to find an audience on their own (something that is particularly popular amongst documentary filmmakers) I'm still a believer in the "specialist". By this I mean, I back myself as a filmmaker, but I leave the marketing and distribution of my films to the experts.
The disconnect between what people think and what the political leaders are actually doing is something that we really need to start raising.
The mainstream media today has the biggest disconnect with its audience that it's ever, ever had. And as the disconnect grows and as more and more people distrust them, then the media digs in more and more and says you don't know what you're talking about, you don't know how we do our jobs, you don't know what's important.
I think there's this great disconnect between youth culture and politics, which is a product of how our capitalist system works.
I think the difficult thing is the transition between TV competition series and going into the actual music industry. There still seems to be a slight disconnect there.
I think it's a huge shortcoming of mine - this disconnect between the world of human and animals. We are animals.
I think stupidity in business is really an interesting thing. What winds up happening is a disconnect between your company's strategic management and then your more applied on-the-street management. I guarantee with you that the board of directors of most companies has no idea what the costs of hiring people really is in the HR department.
I know it's going to sound like a cliché, but the key of successful playing a role is to sort of keep it real and earnest and react the way that one would react in those situations. Where the disconnect between the movie and the audience would happen is if you go too big or too crazy with that stuff.
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