A Quote by Konkona Sen Sharma

It is true that there are some surface similarities between my mother and Mrinalini's character since both were successful commercial actresses in the 1970s in Bengali cinema. In that sense I have taken cues from my mother about how to portray the younger Mrinalini.
Both my mother's younger sisters, Padmini and Tejaswini, are actresses. I am extremely close to Teju mausi, as I am quite similar to her. We both are adventurous, spontaneous, childish, impulsive, and a bit silly and have our own strange sense of humour.
In 'Twice Born' I play my character in her 20s, 30s and 50s. For the fifty year old scenes, I had some prosthetics; it was interesting to see how I'm going to look when I'm fifty-five or so. I actually saw similarities between my grandmothers and my mother.
Being a Bengali, I have kept in touch with the cinema of my mother tongue.
My mother - both my mother and father had very successful careers. My mother's an English professor and my father is a scientist and physician. They worked at the same jobs for their entire life, 50 years each.
My mother and I will continue on some level that I haven't determined yet. I think my mother's a great character, and I have to say that giving my mother to the world has to be the biggest thrill of my writing career.
Whenever I get married, it will be a Bengali wedding. If I won't have a Bengali wedding, my mother won't come. She has warned me. So, I am going to have a Bengali wedding for sure.
Since 80% of my career has been devoted to successful commercial cinema, I have always been told that I do not know how to act.
Some of the most successful, talented actresses of our generation, be it Julianne Moore, or Charlize Theron, or Charlotte Gainsbourg, or Isabella Rossellini, if you know your cinema history, have taken their clothes off. There's nothing wrong with nudity, per se, if it's part of the storytelling and it's eloquent and it says something about the raw humanity of the story.
I am a Bengali. My mother is from Mangalore so it's a mix of both cultures at home.
If I were hanged on the highest hill, Mother o’ mine, O mother o’ mine! I know whose love would follow me still, Mother o’ mine, O mother o’ mine! If I were drowned in the deepest sea, Mother o’ mine, O mother o’ mine! I know whose tears would come down to me, Mother o’ mine, O mother o’ mine! If I were damned of body and soul, I know whose prayers would make me whole, Mother o’ mine, O mother o’ mine!
Some felt my looks would not go down with the Bengali audience. They felt I was not photogenic. Others felt I was just what Bengali cinema needed when there was lack of glamour for heroine roles and there were few leading ladies around.
My grandmother has dementia, and my mother is looking after her as her primary caregiver. Seeing their relationship has had a profound impact, seeing how tough it is for both of them and seeing how the roles change and how my mother has gone from being a daughter to being the mother.
I lived with my mother and father and brothers and sisters some of the time; some of the time, my mother and father were feuding, so my mother would take us to live in my grandmother's house.
As a woman and as a mother, as a young mother, I felt guilty about being successful.
Honestly, I thought I had a lot of similarities to Lee Dam, but when I looked closely, we were actually quite different. There were some things I didn't know about younger people these days.
Everywhere I go today, people talk about Bengali cinema. I completely refuse to accept that Bengali filmmakers are not making good films.
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