A Quote by Konnie Huq
When I went kayak surfing in Cornwall, I got a really deep gash on my hand - it looked like I had a slug on it - so I went to Harley Street for surgery, because I looked like a battered woman when I was making things on Blue Peter.
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Blue Peter' scarred me for life. I was kayak-surfing in Cornwall and the waves were so strong it was more like white-water rafting. I had to hang on for dear life. At one point I let go and my hand was crushed on a rock.
I pictured a girl who made every moment, everything she touched, and everyone around her feel lighter and sweeter. “I pictured you,” he said. “I just didn’t know what you looked like. “And then, when I did know what you looked like, you looked like the girl who was all those things. You looked like the girl I loved.
Since I've left 'Blue Peter' I've presented all sorts of different things. I've done a music show, for instance, and 'Blue Peter' had music on it. I've done a politics show, but on 'Blue Peter' I interviewed the Prime Minister. I've done travel stuff where I've gone abroad, but 'Blue Peter' had that within it as well.
With Michael Jackson, what I thought was really interesting was the people saying: 'He looked really well in that final video.' I was, like: 'No, he didn't - he looked like someone had melted goat's cheese over a sex doll.'
Once 9/11 happened, people who looked like me and whose children looked like us and whose husbands looked of a community, really were made to feel quite the other, and I thought that was impossible in a city like New York but I myself was witness to that.
Surfing and music have always been two completely separate things in my life, and a lot of people, especially in the UK, don't really get surfing very much. They think it's the Californian dream. They're like, "Oh, so you're a surfer and you're this and that," and it's like, I go surfing because I like the outdoors. In England it's freezing cold, and it's usually dark and raining and it's the middle of winter, and you do it because it's invigorating. It's like going on a walk in some remote place on the planet. It's really - it's not very glamorous.
We got to his place and it looked a lot like his personality. Just a bunch of space filler, nothing to really wow you. It looked like he had bought a lot of stuff from IKEA and then decided to refinish it at home. Everything was neat and tidy, but you wouldn't want any of it for yourself.
Being a woman did not look enviable to me, even when it looked admirable. It looked like nonstop sacrifice and service. Because it was. Being a woman seemed vulnerable and sad. Even the strong women I knew - and they were all strong - had earned their strength through enduring huge disappointments and tremendous struggles.
I once did a role which I couldn't rehearse in my street clothes, I had to have the character's costume on before I could rehearse it. I just couldn't think as the character unless I looked like him, or I knew that I looked like him.
As I got closer it looked like a weather balloon, gray and about three feet in diameter. But as soon as I got behind the darn thing it didn't look like a balloon anymore. It looked like a saucer, a disk.
A hand landed on his shoulder like an anvil. “How’d you like to stay for dinner?” Butch looked up. The guy was wearing a baseball cap and had some kind of marking—was that a tattoo, on his face? “How’d you like to be dinner?” said another one, who looked like some kind of model.
I remember when I was young, before we started lifting and working out, I looked like I was bench-pressing other humans. I looked different than other girls. I had to be OK with the fact that I had a strong physique, no matter if people looked at me in an accepting way or not.
There were certain things that I watched, and I screened a series of period films as well, not because I wanted to copy those, because I wanted to be different. “Far from the Madding Crowd” was one I looked to because I thought it looked so good. “Doctor Zhivago.” Unrequited love is always a great thing. “Tess” was something I looked at, I thought Polanski got the period right.
If my husband ever met a woman on the street who looked like one of his paintings he would faint.
It looked like something the Hemlock needed, or a piece of equipment a plumber had left behind. It looked like none of your business.
One time, I was literally stopped on the street, literally and physically whipped around by this guy who looked at my face and was like, 'Are you Felix?' I looked very different then. I was like, 'Yah... Oh, yah!' I was stunned and slightly frightened.
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