A Quote by Konnie Huq

I don't really buy a weekly magazine but do flick through them if they're in front of me. A bit of style and a dose of gossip is just what you need sometimes. — © Konnie Huq
I don't really buy a weekly magazine but do flick through them if they're in front of me. A bit of style and a dose of gossip is just what you need sometimes.
I'm really bad at doing my hair, so the front always looks a little bit off. I think that the front is the most important in terms of the whole look. So, because the front layers just get awkward sometimes, I feel like I have to clip them back.
I wrote for a weekly magazine and then edited a literary magazine, but I did not really feel comfortable with the profession of journalism itself.
I wrote for a weekly magazine and then edited a literary magazine, but I did not really feel comfortable with the profession of journalism itself
I wanted to work in Hollywood. I was captivated by it. I read 'Premiere Magazine' and 'Movieline Magazine' and 'Us' before it was a weekly magazine.
Sometimes when I flick through a magazine and see these thin models I'm left wondering what effect they can have on an insecure person. But I say to girls: forget what you see in the magazines, that is a world which has nothing to do with reality; think of it as a cartoon.
I don't think I'm a style icon, not at all. Sometimes I just want to rock out in me scruffs and me Uggs. You know, a really comfy old tracksuit with maybe a dollop of ketchup down the front.
I don't really relate to myself as The Girl in the Magazine. Which is dangerous for me, too, sometimes, because I don't think all the time, 'Well, look to see if people are following me home.' Sometimes I'm a little bit more free than maybe I should be.
I buy so much when I go through airports: I buy psychology magazines; I buy 'Mind,' another magazine, 'New Scientist,' 'Scientific America.'
Sometimes you buy a book, powerfully drawn to it, but then it just sits on the shelf. Maybe you flick through it, the ghost of your original purpose at your elbow, but it's not so much rereading as re-dusting. Then one day you pick it up, take notice of the contents; your inner life realigns.
We buy our way out of jail but we can't buy freedom, We buy a lot of clothes when we don't really need them, Things we buy to cover up what's inside.
In Fargo, they say, well, that's a job. How well do you get paid? For example, for this book I was written about in Entertainment Weekly, and it was kind of cool because my mom asked me if Entertainment Weekly was a magazine or a newspaper.
Everything I write about either I have gone through or I know somebody has gone through, so it's very close to me, but sometimes it's about taking those feelings and exaggerating on them a little bit: being a bit more dramatic but still keeping them relatable.
I learned that sometimes our struggles are a little bit bigger than us and talking about them and coming through and having the courage to get out of them. I learned how many I touched and inspired through the journey of 'Idol' because I was just singing on the show. I wasn't really being an advocate for anything.
When I was doing my research for 'Branded,' I'd meet groups of teenagers and preteenagers or tweens, and they would laugh at a magazine spread in a women's magazine or teen girl magazine and say, 'I'd never buy this outfit. I know these girls are starving themselves.' But they probably would go out and buy the thing eventually.
I think that sometimes, as producers, we just service the artists who's really just the main front or person. You know, our roles are really just to help them get where they're supposed to go.
Sometimes you don't get in through the front door. Sometimes you don't get in through the back. Sometimes you got to climb through the window. That doesn't mean the opportunity wasn't there. There's a way; you've just got to find it.
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