A Quote by Konnie Huq
An experience that shaped me happened early in my TV career when I filmed in Mozambique, Angola and Bangladesh for 'Blue Peter' and Comic Relief. Places with extreme poverty. When you see that first-hand as a young person, you take it with you for life.
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The tragedy of civil wars in countries like Angola and Mozambique is that they left many civilians maimed. Poverty is the reason HIV/AIDS spread so rapidly in the African townships and slums. Poverty is the real killer.
I worked on 'Blue Peter' and 'Tonight' and lots of TV plays, filmed people like Rudolf Nureyev and Ted Heath, and ended up a senior cameraman with my own crew. I'd had my first short story published in 1947, and when my writing really started to take off I decided to go freelance, and eventually left the BBC in 1965.
I think it's just been a core part of the Cuban revolution to have a very high level of internationalism. I mean, these cases you've mentioned are cases in point, but the most extreme case was the liberation of Africa. Take the case of Angola for example, and there are real connections between Cuba and Angola-much of the Cuban population comes from Angola.
What's most striking is that the world as a whole has made remarkable progress against hunger, poverty and disease. I believe in God, and I see that hundreds of millions of people have escaped from poverty in places like Ethiopia, Bangladesh, Brazil and Britain. That's why, for me, it makes sense that this is God moving in our history.
Since I've left 'Blue Peter' I've presented all sorts of different things. I've done a music show, for instance, and 'Blue Peter' had music on it. I've done a politics show, but on 'Blue Peter' I interviewed the Prime Minister. I've done travel stuff where I've gone abroad, but 'Blue Peter' had that within it as well.
When I see fans in the street or at meet-and-greets, it's great. Sometimes they want me to be that person they see on TV, take a picture with a hand in their face or ask me to 'be mean like you do.' But I can't play that character 24-7.
You go through different emotions when you're in captivity. On the one hand you say, my career is over. On the other hand, you say, my career's just started. See with these weird extreme ideas of where you are based on this capture.
Blue Peter' scarred me for life. I was kayak-surfing in Cornwall and the waves were so strong it was more like white-water rafting. I had to hang on for dear life. At one point I let go and my hand was crushed on a rock.
If you were to turn on the TV in 1986, '87, you wouldn't see anybody having, I guess, a low-to-middle-income person of color experience. And you definitely wouldn't have a young LGBT person or their story told. The experience of being invisible in our culture has ramifications that I don't think any of us can really understand.
On one hand, prostitutes don't struggle because it's simply their life. In Mexico and elsewhere, once they get out of these places [brothels] they have a pretty square life. In Bangladesh it's different because they live in the brothel, it's sort of a prison, but still there are two sides. When they think of their religion and their upbringing, they can be very moralistic. They're moralistic about giving blow jobs. On the other hand, they have an everyday life where there's no room for shame.
After we'd filmed one series of 'Kiss Me Kate,' everyone was saying: 'The guy's got great comic timing,' - that was the first I'd heard of it. I'm not a comedian, I don't want to depend on a singular box of tricks. I like story and characters, to take on world views that are not my own.
If you're a prostitute, this is your day: You party, you have customers until four or six in the morning, then you sleep. You wake at noon, watch soaps on TV, take two or three hours to fancy up yourself, and then you start waiting for customers. That's your life. And some days no customers come. There's no party. There's nothing. You sit there and wait. If you're educated you can read books, but in Bangladesh and most other places you watch TV or listen to music or cook.
How my film career happened, I don't know. It was unplanned. I'd been in films and TV throughout the Sixties and early Seventies, but it was really 'The Naked Civil Servant' in 1975 that put me on the radar.
Because Blue Peter can get you access to places - if you go to somewhere like Nasa, you don't just see what most people see, you can get a lot of behind the scenes access. You can talk to an astronaut.
Poverty without a people's government looks like hopelessness, but to see poverty in organized communities is to see relief-in-progress.
I grew up in the '70s, early '80s as a kid, and when we first immigrated to this country I went to a 7-Eleven and for the first time in my life I saw... back in the day they had this little spinning comic book rack, and there were comic books and I was basically drawn to them.
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