A Quote by Konnie Huq

I've just watched the whole series of 'Flight of the Conchords'. I absolutely love it - the humour, the actors, everything about it. — © Konnie Huq
I've just watched the whole series of 'Flight of the Conchords'. I absolutely love it - the humour, the actors, everything about it.
I love 'Flight of the Conchords' and 'the Mighty Boosh.'
I just really like people, and being a freelancer can be lonely during the day, when you're at home trying to write anything you can. 'Flight Of The Conchords' was so wonderful because I had a family for two years.
Now, with the success of musical comedy like the Mighty Boosh, Flight of the Conchords and Bo Burnham, I feel vindicated.
Directing is a whole series of things that would be awkward socially. But I love that. I love actors. Talking with them, touching, laughing, crying.
You can see that the successful comedians who have come from New Zealand, like Flight of the Conchords, they had the time to become what they are, and go overseas as a fully formed thing.
As far as 'Twilight' goes, I'm in love with my character. I'm in love with the whole series. I love doing the fan conventions around the world, I love to travel. So wherever it fits in, I'd love to continue doing that for the rest of my life. Just meeting the fans who made everything possible from around the world.
I learned early on to abandon all those preconceived notions you have about other actors and it's served me really well. I usually just try to empty my mind of that. I love meeting actors and I love working with actors.
Even if I were to try to imitate Kurosawa I know that it's absolutely impossible. That era of film was just something else, including the actors. Everything about that era was on a completely different level.
You hear people talking about a Scottish sense of humour, or a Glaswegian sense of humour, all sorts of countries and cities think that they've got this thing that they're funny. I read about the Liverpudlian sense of humour and I was like, 'Aye? What's that then?' You get that and you especially hear about a dark Glaswegian sense of humour.
The first time I was on TV, on "Flight of the Conchords," someone put up a YouTube clip and said, 'You're too ugly to be on TV.' And I was like, 'That is exactly why it's a good thing that I'm on TV.'
Texture is very important. Just the feel of everything. It's not always about recording everything in pristine quality and having everything mixed where it's absolutely perfect. It's more about a vibe.
When I first watched 'Coraline,' I thought, 'If that ever got adapted...' If it was done by real actors, I think that would be a really fun thing to do, just because it's a kind of whole new universe.
A lot of times you'll hear horror stories about actors being incredibly selfish and only wanting themselves to shine, but for me, it's not about just one person. It's about the whole team. That's the way I look at acting. That's the way I look at everything I do.
I just watched the entire season of 'Louie' in one flight. What an amazing show.
I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you.
I love actors. I love working with actors. I really enjoy the process. I love having those in-depth discussions about the interior of their character, and actors really love to discuss that too.
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