A Quote by Kool Keith

I write a lot of songs about my impressions from a man's point of view. — © Kool Keith
I write a lot of songs about my impressions from a man's point of view.
I write songs from the point of view I had at a time;I'm not tryingto write songs from a young person's point of view.That only ends in disaster.
I only write about stuff I know. I don't have a lot of experience with boys and stuff so I write a lot of songs about interesting and strange subjects that people wouldn't write songs about.
When you're singing about love stories, which is most of my songs, it's good to have a lot of information and to have a different point of view.
But every point of view is a point of blindness: it incapacitates us for every other point of view. From a certain point of view, the room in which I write has no door. I turn around. Now I see the door, but the room has no window. I look up. From this point of view, the room has no floor. I look down; it has no ceiling. By avoiding particular points of view we are able to have an intuition of the whole. The ideal for a Christian is to become holy, a word which derives from “whole.
My readers often tell me that what they admire about my books is my ability to write from so many points of view. My challenge to myself is whether I'll ever be able to write a novel just from one point of view. It seems impossible.
I had a long distance relationship going while we were writing the album so a lot of it is about that constant struggle— you look up at the moon and wonder if that person is looking at it too. I was trying to write love songs that weren’t sappy Ben Affleck movie songs, but kind of a … man’s love songs
I just love to play rock and roll. I love to write songs all the time about what's up on these streets. I write songs about people getting killed; I write songs about people getting beaten up; I write songsabout people getting taken to jail by the police; and I also write songs about love and happiness.
For me, no matter how serious the subject is, when I try to write about it, I have to write about it from a comic point of view. It's just the way it comes out.
Comics write to their point of view. If you're an exceedingly irreverent comedian, you've got to see where that point of view fits or produces the most funny.
I write all my own songs and they are just simple melodies with a lot of lyrics. They usually have to do with current events and what is going on in the news. You can call them topical songs, songs about the news, and then developing into more philosophical songs later.
I find it to be easier to write from a man's point of view.
Everybody you work with sees what you're doing from a different point of view, a very specific point of view. So, if someone is lighting, they're seeing it from that point of view. A production designer is seeing it from the placement of furniture that tells you about the character. Everything that goes into the room should tell you about the person who lives in that room.
I like to write pop songs and the stuff I write is fairly poppy, so I thought maybe my lot in life was to write pop songs for people. It never felt right writing songs for other people to sing, though.
My idea of making time for myself is writing songs. I never stop beating myself up about trying to be productive, so I don't really like to do a lot of things other than write in my journal and write songs.
I am highly variable in my devotion. From a doctrinal point of view or a dogmatic point of view or a strictly Catholic adherent point of view, I'm first to say that I talk a good game, but I don't know how good I am about it in practice.
I love to write about sex. You just have to make it idiosyncratic. You have to have a strong comprehension of your characters, and write it from their point of view. It's really fun. It's not erotic.
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