I love mixing prints. The costume designer for 'Pair of Kings' and I have actually incorporated the trend for my character 'Mikayla.'
A photographer needs to be a good editor of negatives and prints! In fact, most of the prints I make are for my eyes only, and they are no good. I find the single most valuable tool in the darkroom is my trash can - that's where most of my prints end up.
I gravitate toward floral and graphic prints.
I'm hugely inspired by the '60s and the '70s. I just love the music of that time and the overall freedom of that era. I love that the idea of clashing didn't really exist. You could mix prints on prints, you could mix fabrics and colors - and it was more about the way you felt than about the label and trends. That's something that I've always gravitated towards.
I have no little insight into the feelings of furniture, and treat books and prints with a reasonable consideration. How some people use their pictures, for instance, is a mystery to me; very revolting all the same--portraits obliged to face each other for ever--prints put together in portfolios.
My affinity for beef extends into my home life, so you'll notice canvas prints of cows, a cowhide rug and prints of Smithfield meat market.
I first met Michael Angel when he came to my office with a box of prints and asked me whether I thought he should make dresses from the prints.
I love like the 80s look - 80s and early 90s, like the high-waisted jeans and the crop tops, and the floral prints, and flowers and stuff like that. Big baggy jumpers... yeah, stuff like that.
As a filmmaker, you complete a film you have spent years obsessively making, and you know the release prints will never look quite the same; prints get scratched and dirty.
Matte digital prints are gorgeous, don't you agree? But the glossy digital prints, I just can't stand that paper.
Most of my work involves slowing down rather than speeding up. I prefer to look at prints than scans, and I prefer to look at original silver prints rather than digital prints. I prefer to look at fewer images, but spend time with those individual images.
I really follow Balmain. I follow designers who make floral prints and bright-colored clothes.
There is - you know, there's receipts for rented cars and license plates and guns and hand prints and palm prints and fingerprints. You know, I want to wait until I'm in a court.
There's a jean for everyone. And I'm a fan of that. I love a jean, and I love all these spins on them. I love a printed Balmain jean, or a Givenchy, and I love the prints, I love that you can have so much fun with it all, you know, dressing up.
Wearing a bold print gets harder as you get older. It's safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.
Wearing a bold print gets harder as you get older. Its safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.