A Quote by Kovai Sarala

While in 'Komban' I played the mother of Karthi, a relatively quiet character, the mother role in 'Kanchana 2' was a stark contrast. — © Kovai Sarala
While in 'Komban' I played the mother of Karthi, a relatively quiet character, the mother role in 'Kanchana 2' was a stark contrast.
I think that, when you play a mother, whether you play a bad mother or a not so great mother or an amazing mother, being a mother is already so complicated. It's already three-dimensional, automatically, no matter what the role is, because you're playing a mother.
In 'Mother's Day,' which is directed by legendary director Garry Marshall, I play a mother figure to the character played by Jason Sudeikis from 'Saturday Night Live.' He's a widower, and I'm a mother who's helping him to get over the loss of his wife.
My character in 'Ivan Thanthiran' is in stark contrast to my role in 'U Turn.' Here, I play Asha, a hard working girl belonging to a middle-class background.
My mother and I will continue on some level that I haven't determined yet. I think my mother's a great character, and I have to say that giving my mother to the world has to be the biggest thrill of my writing career.
I took the role of Rochelle in 'Everybody Hates Chris,' and that was it. I was going to play mother roles all the time. Once you do one mother role, it's always a trickle down effect.
'Kanchana' is not exactly a sequel. Only the character played by me is the same as in the original but the storyline is very different.
I did a show where I played the mother of a 15-year-old, I was 20 years old when I played a mom of 45. And then, when I was around 28-30, I played mother to Akshay Kumar. So I got typecast very early, if I didn't even have to reach a certain age point.
I was born in love with music. My mother is a singer, many of my aunts and uncles on my mother's side are musical, my grandparents sang and played blues piano. It's literally in my blood. My mother wrote an original song to teach me the days of the week.
In 2008, while the film version of my book 'Choke' was coming to market, my mother was diagnosed with lung cancer. That meant that I had to appear in public to promote a comedy about a son trying to save his dying mother - the plot of Choke - while privately I was caring for my own dying mother. It was torture.
India was the motherland of our race, and Sanskrit the mother of Europe's languages: she was the mother of our philosophy; mother, through the Arabs, of much of our mathematics; mother, through the Buddha, of the ideals embodied in Christianity; mother, through the village community, of self-government and democracy. Mother India is in many ways the mother of us all.
To be a mother is a beautiful thing, but to be able to assume the role for a child in need is nothing less than amazing. I believe that any woman who takes on the role of a mother, whether it be naturally or through foster care or adoption, should be held in the highest regard.
All that remains to the mother in modern consumer society is the role of scapegoat; psychoanalysis uses huge amounts of money and time to persuade analysis and to foist their problems on to the absent mother, who has no opportunity to utter a word in her own defence. Hostility to the mother in our societies is an index of mental health.
I am not into the mother sentiment, really. My heart is not into this ideal mother role; it does not work for me.
I'm fine with playing the protagonist's mother, mother-in-law or friend - as long as my role is well-written.
My father's a keen sportsman, and so is my mother. My mother's brothers all played international rugby for Samoa. That's where I got my dreams from.
There is no theoretical study of motherhood. You know, before I became a mother, I did play a mother, but I was like - I was more thinking of my own mother. I was doing my mother.
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