A Quote by Kovai Sarala

The audience always looks for a change. After a spate of action, and romance, now they want to laugh. — © Kovai Sarala
The audience always looks for a change. After a spate of action, and romance, now they want to laugh.
I was afraid no one would laugh, and I wanted to pretend I wasn't noticing the audience. I didn't want the audience to get the idea I was telling a joke and waiting for a laugh.
I was looking at the Trump hits on me, I have to confess, all of which made me laugh. And I thought, you know, he never goes after guys` looks. He only does the looks thing with women. And then I found this one. "Lawrence will soon be off TV, bad ratings, he has a face made for radio." So, he has gone after, at least one guy, on looks.
What looks absolutely fabulous in rehearsal can fall flat in front of an audience. The audience dictates what you do or don't change.
My brother was a great audience, and if he liked the picture, he would laugh and laugh and laugh, and he would want to keep the picture. Making people laugh with an image I had created... what power that was!
We are a nation that has always gone in for the loud laugh, the wow, the yak, the belly laugh, and the dozen other labels for the roll- em-in-the-aisles gagerissimo. This is the kind of laugh that delights actors, directors, and producers, but dismays writers of comedy because it is the laugh that often dies in the lobby. The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.
The audience works as such a mob. They either all laugh or all don't laugh, and, you know, changes from audience to audience.
Movies always had a captive audience, so they were able to do deeper, more complex things. Television was always about, 'Look at me now! Look at me now! Now go away!' That's starting to change.
I know how to make an audience laugh, 'cause I grew up on Third Rock from the Sun, week after week in front of audiences, making them laugh.
Comics fans want new stuff that looks exactly like the old stuff. It is hard for the publishers, and even the audience, to change something.
Action is drama. If we cannot make the audience laugh, smile or cry with us, we are not actors.
I try to make the majority of my audience laugh. That's my audience. They'll laugh at the dead terrorist.
The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
You listen to the audience. The audience is wrong individually and always right collectively. If they don't laugh, it isn't funny. If they cough, it isn't interesting. If they walk out, you are in trouble.
I've always believed that the audience and the energy that the audience creates is sometimes just as important as the action inside of the ring.
I think it's weird that we expect ups and downs in friendships, but not in relationships. It all has to be romance, romance, romance - but there's two people and there are always going to be disagreements, and you have to work at it.
Whether I'm acting or making it, at the end of the day it's telling the story; action, drama. You want the audience to feel it - the story, the action, the scene, or a particular shot. I just keep working on crafting my art, on how to make action movies.
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