A Quote by Kovai Sarala
In Telugu, there can be ten comedians in one film and everyone gets along, without feeling intimidated or marginalised.
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I still can't believe that I was accepted by Telugu audiences because I don't know Telugu. Without knowing me, the Telugu people gave me their unconditional love.
Honestly, and seriously, I know I have to do a Telugu film. It was my grandmother's dream to see me in a Telugu film before she died. I couldn't fulfil her dream before she passed away, but I don't want to let go of it, either.
Ninety per cent of the times, filming is a cakewalk. You start it, shoot it and release it without any major hassles. Then comes along one film that gets stuck or faces unusual problems.
I am an actress. My first film was a Telugu film, my second film was Bollywood, and third was Indo-Chinese.
Everyone feels awkward, everyone feels uncomfortable, everyone gets older, everyone gets lonely, everyone gets sick, everyone eventually dies.
As long as I am acting, I will do only Telugu films. I want to take Telugu films to the world. Everyone should talk about our films.
I love 'Somebody to Love' by Queen and of course 'Bohemian Rhapsody' is one of my favorites, just because it makes everyone in the room go crazy. Everyone tries to sing along with it, and half the room gets it right and the other half gets it wrong.
I'm half Telugu. My mom is Telugu and dad, a Maharashtrian. I was brought up in Gwalior. I was exposed to English, Hindi, and Marathi. I heard my mom speak to her family in Telugu, so I got the hang of it.
Even my first film Poda Podi' was supposed to be remade in Telugu. That was an experimental film.
Everyone feels awkward, everyone feels uncomfortable, everyone gets older, everyone gets lonely, everyone gets sick, everyone eventually dies. You’re at the Aspen Ideas Fest, and you have these really smart, really accomplished people who pretend like they’ve somehow figured out a way to bypass the human condition. We live in this culture where there are so many things that want us to pretend that we’re not truly human.
Everyone knows the feeling where you're in the pub and you make your mates laugh. It's awesome, you feel like you rock. That's what comedians want with a bit of extra ego.
The man who can best gets along with women, is the man who can get along without them.
I make a film - and once I've made it, everyone comes along and says 'Ah! This is a film that's political, or social', or whatever. But I'm not telling the story that they see. I made a film, told a story, but I wasn't thinking about exactly what it all meant.
I started with Tamil film, then Hindi. Now, I am also doing a Telugu film. The journey has been wonderful so far.
It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'
I think everyone goes through chapters in their life and there was a time when I wasn't feeling terribly positive about what I was contributing to film, or wasn't feeling as if I was going in the direction I wanted and I re-evaluated what I was doing.
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