A Quote by Kreesha Turner

I'm definitely trying to incorporate a Caribbean and reggae element. — © Kreesha Turner
I'm definitely trying to incorporate a Caribbean and reggae element.
Reggae is definitely a natural influence. Even living in Southern California, near the water, you get that reggae feel.
My dad hates reggae. He's from St. Kitts, which is a really British island, with Victorian values. He doesn't have a strong Caribbean accent. He didn't play Caribbean music in the house. He was really into soul music, collecting soul 45s.
You’re that lady,” Leo said. “The one who was named after Caribbean music.” Her eyes glinted murderously. “Caribbean music.” “Yeah. Reggae?” Leo shook his head. “Merengue? Hold on, I’ll get it.” He snapped his fingers. “Calypso!
I come from an African Caribbean background. I've been influenced by a reggae church music style, contemporary gospel, and rock all fused together.
Reggae, oh man. It's the ultimate music. The positivity. The musicality. The whole cultural expressionism of it. The danceability. Just the cool factor. The melody factor. Some of it comes from a religious place. If there were a competition of who makes the best religious music, it would definitely be the Rastafarian reggae.
The big change was reggae and hip-hop, which came along after Split Enz had started. When Bob Marley first visited New Zealand, he lit a fuse that is still burning very brightly. The Maori people particularly honor reggae music in a very big way. So there is a strong reggae scene and a strong hip-hop scene, especially among Samoans. There's still plenty of quirky stuff around. No one expects to make much money here, so it definitely does encourage an underground sense.
I've always been into music. I used to DJ. I used to mix reggae and that. I used to be into reggae hard. Well first it was rap, then reggae, then rap again, then rap and reggae. But I was always DJing out my window for the whole estate. Everyone used to sit outside and all and listen. And I used to be running rhythms in that.
Reggae goes in and out. It sounds so good, it feels so good and feels so tropical, but the problem is not everybody is Caribbean. Not everyone is going to sound authentic doing it, and sometimes it comes off cheesy when other people do it.
A lot of electronic music out there feels cold. I want to incorporate a human element.
I feel positive about what I do. And, whoever is doing reggae, they have to have positive words and no negativity. They have to be positive. Yes, if you call it reggae, and it is negative words, it is not reggae.
Black musicians were either trying to be American or trying to play down their Caribbean roots.
In my research, all roads led back to Oscar. It's definitely in a way trying to understand the truly English element to glam-rock. It really does not come from American culture.
Over the years, humans have managed to incorporate nearly every element, light and weighty, common and obscure, into our daily lives. And given how small atoms are and how many of them there are all around us, it's almost certain that your body has at least brushed against an atom of every single natural element on the periodic table.
You have to be logical and use international words so people can relate to reggae music. I'm the inventor of the word reggae music. I'm the one who coined the word reggae. So, whatever I put out on my label - my label called D & F Music - it has to be positive.
I listened to a lot of reggae music, a lot of Caribbean, a lot of gospel, a lot of rock, a lot of country, hip-hop... you know, so it just gave me perspective when it came to music and what I liked.
Musically, New York is a big influence on me. Walk down the street for five minutes and you'll hear homeless punk rockers, people playing Caribbean music and reggae, sacred Islamic music and Latino music, so many different types of music.
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