The goal for my girls and me has always been about beauty and fashion. Before we ever had the shows, my mom had a store for 40 years in La Jolla, and I grew up working there.
I've always loved children's clothes - my grandmother actually owned a children's boutique in La Jolla, CA, for 30 years. I grew up visiting her and working in her store, and then my mom and I had a children's boutique together for five or six years.
I absolutely love what I do. And I want to dance for as long as I can and feel good about what I'm putting out there on the stage. But my goal has always been to be a principal dancer with ABT. Before I knew that there had never been a black woman, that was always my goal. I wanted to dance Odette-Odile and Kitri and "Don Quixote" and Aurora in "Sleeping Beauty." So that's still my goal. But knowing that it's never been done before, I think makes me fight even harder.
I always had an interest in fashion because my mom is a celebrity fashion stylist. I grew up being on set or in showrooms.
When I was 16 was just thinking about the future and - it sounds so stupid - but what my goal was going to be in life. I guess I was thinking about girls too. No girls liked me. That was bothering me. I was thinking about my height - I had a growth spurt right before high school and then that's when sports coaches started coming up to me, but that's when I had this artistic turn.
When I was about 13, I met the coolest, chicest young woman I had ever seen. She was a neighbor of mine who became a fashion designer and had a small design studio. She taught me so many things about style and fashion. I had always loved making things, so when she told me about her career in fashion, I knew I had found my path.
I grew up with my mom, and my mom had six kids, and I was the youngest, but I had a different father than my brothers and sisters, and I only met him when I was ten years old. Then he introduced me to his other children.
After I had been working as a cap maker for three years it began to dawn on me that we girls needed an organization. The men had organized already, and had gained some advantages, but the bosses had lost nothing, as they took it out on us.
My mom worked at [American] Vogue before I was born. She has always been fashion-minded. I grew up with original Yves Saint Laurent sketches on the wall in our house. A lot of that rubbed off on me.
My goal is to be a household name, and when I do that, I want to help other girls become models, and maybe even launch a fashion line with my mom, like Beyonce did with her mother. My mom has such a good eye, and it's always been a dream of hers.
My dad had always been a big decaf coffee drinker. But my mom had always been more of a tea drinker. So I grew up around a lot of tea. And I also really love tea. But I'm not one of those people who has ever felt the need to choose between coffee and tea. I think that is a completely false dichotomy.
I've always had an affinity for the fashion industry - I've always been drawn to it. But I grew up in Calgary in Canada, which, being a fairly isolated city, is not particularly known for having anything to do with fashion.
I have to say, I grew up with fashion because my mother was a seamstress, and she had an atelier. She would cut the first pattern, and then she had people working for her. So I grew up in an atelier, watching people all around me sewing. I was fascinated.
My mom and I had a kids' clothing store called Smooch for six years, and I did all the buying before I even had kids.
'La La Land' is about the city I live in. It's about the music that I grew up playing; it's about movies that I grew up watching. Even the big spectacle of the movie feels private to me in that way.
My very first professional job was with a theatre company in 1965 and the first job they gave me was literally shovelling sh*t. I was an assistant stage manager and they told me to clear out the prop store. I opened it up and no-one had been in there for 25 years and it was inches deep in rat sh*t. So before I could get anywhere I had to clear it up. I thought, 'All these years of training, the best drama school in the world, and this is what I'm doing.'
You look at the descriptions of Whitey by law enforcement during his early years, and they sum him up pretty well. He was the same guy 40 years later; he just had $40 million more, and had committed 40 more murders.