A Quote by Kris Kristofferson
The great thing about Nashville back in the day was that the old guys hung out where the young guys were. The established writers like Harlan Howard and Jack Clement gave us encouragement and passed the guitar, you know? Chet Atkins let me sit in on his sessions. Everybody was good to us, and everybody loved the music.
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For me the music community was always like a model for what could be. The way people would play together, just harmony and being - old guys and young guys, black guys and white guys. It was setting an example for what the rest of us could be.
I had admired Waylon [ Jennings], but I never expected to meet him and get to know him. When I finally moved to Nashville years later, one night I went to a Harlan Howard Guitar Pull thing, and there was Waylon. He started talking about how much he loved my work and how great I was, and I couldn't even get a word in.
I don't think any of us ever trusted Nashville. When you're in that town you know everybody is talking about everybody else. Everybody is wishing for the other guy to fail.
Well, I think for everybody, Michael Jordan was the idol. He's one of my favorite players, but I had a few different guys I liked to watch, like Gary Payton and Isiah Thomas. Isiah was a guy I really loved to mimic my game after. There were a bunch of old-school guys I loved to watch.
If you think about 2Pac, Biggie, and Nas, all of those guys were teenagers or in their early 20s when they got started. Everybody acts like young people have to be silly and lack perspective. Those guys had incredible perspective, and everything that they said was before 25 years old.
To me, what I love about the draft is; first, you see the young men who are realizing their dreams that they've worked so hard for. That's a pretty cool thing. You saw the emotion from some of these guys the other day. And then, the second thing is this total sense of hope and optimism. And, I think that's great for everybody.
It's great to have guys that can help you out there with you, with everybody wanting the same goal. That's the key, playing with other guys that want to win and everybody doing the same. That's the job right there.
Actually, a person asked me if I was ever going to come back to WWE. I told them that if I came back, it probably wouldn't be as WWE Superstar, because the young guys are really what it's all about. Bringing me back as an announcer is a great position for me to actually go out and make the young guys bigger stars.
You think back to Tele players, and James Burton was the one who started it all. He inspired Roy Nichols (guitar for Merle Haggard & the Strangers), Don Rich (guitar for Buck Owens & the Buckaroos), and guys like that to push the envelope and expand on that sound... I really identify with that kind of thinking ... those guys to me are the reason why any of us do this.
This is where you first failed us. You gave us minds and told us not to think. You gave us curiosity and put a booby-trapped tree right in front of us. You gave us sex and told us not to do it. You played three-card monte with our souls from day one, and when we couldn't find the queen, you sent us to Hell to be tortured for eternity. That was your great plan for humanity? All you gave us here was daisies and fairy tales and you acted like that was enough. How were we supposed to resist evil when you didn't even tell us about it?
I took a lot of pride, honestly, in hiring these young guys, that not only to become future head coaches, but I wanted young guys that could help me - guys that can coach, guys that could study, guys that loved it, that would do it for nothing. That's how I got into coaching with the 49ers when John McVay hired me.
It was about 105 degrees in Chicago. And that's a time when everybody gets tired. I came into the clubhouse, and everybody was sitting around, and I said, 'Beautiful day. Let's play two!' And everybody looked at me like I was crazy. There were a couple of writers around, and they wrote that, and it stayed with me.
I always kind of divided the gay guys I met up into two groups when I first started coming out. There were the guys who thought there was something fundamentally wrong with them and hated themselves and were so burdened with shame and internalized homophobia. It just really paralyzed and shredded them. And then there were guys like me who thought, "I'm fine, everybody else is crazy. My church is sick and the family's crazy, but me? I'm fine."
Do you know I had the best time on 'Loose Women' and I'm very, very fond of the show still. I know everybody who's on it and it's a great open door to go back if I need to. Everybody on there is lovely and I've got a great relationship with them - the new ones and the old ones. It's been a big part of my life over the years, so it's nice I can nip back. I do miss everybody on it, but we're all on What'sApp, so I know what everybody is up to.
The cool thing is, when we first did our joint Ring Of Honour-New Japanies Wrestlers, I think that definitely existed. I think the ROH guys were like, "we can't let these New Japan guys outshine us" the new japan guys were ready to make a statement as it was this really big event in America. But the cool thing about this relationship is we've literally become a family now. A lot of us are friends with each. We obviously respect each other.
I hope my music inspires people and I want to be a good role model for everybody, not just the girls but for the guys too. I want to show everybody that I didn't grow up in the spotlight like the Mickey Mouse Club to make it. That is important for kids to know.
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