A Quote by Kris Kristofferson

Johnny Cash has always been larger than life. — © Kris Kristofferson
Johnny Cash has always been larger than life.
I love Johnny Cash, and I respect Johnny Cash. He's the biggest. He's like an Elvis in this business, but no, he's never been the rebel.
So many use dad's name, saying 'Johnny Cash would not like this' or 'Johnny Cash would do this' or 'Johnny Cash would vote for... ' Please, let his actions speak for who he was: A simple, loving man who never supported hate or bigotry. He was non-political, and a patriot with no public political party affiliation.
Elvis is not so difficult as Johnny Cash because his voice is so distinctive. If you try to copy Johnny Cash, it's just going to sound dumb.
I really thought I knew Johnny Cash. I thought I didn't need to spend a lot of time researching his life. But I wasn't within 50 miles of knowing Johnny Cash. I knew he was a good guy and a dedicated artist, but I didn't know the demons, the struggles he had in his personal life.
I’m not the smartest guy in the world, but I’m certainly not the dumbest. I mean, I’ve read books like "The Unbearable Lightness of Being" and "Love in the Time of Cholera", and I think I’ve understood them. They’re about girls, right? Just kidding. But I have to say my all-time favorite book is Johnny Cash’s autobiography "Cash" by Johnny Cash.
I was in Screaming Trees - I wasn't really interested in playing quiet music in a live setting. But I would get asked quite often to do a show or open for somebody, and I always said no. Finally, I was asked if I would open for Johnny Cash, and Johnny Cash was one of my dad's favorite heroes. So that's why I started doing solo shows.
I lost my innocence with Johnny Cash. I used to watch the 'Johnny Cash Show' on television in Wangaratta when I was about 9 or 10 years old. At that stage I had really no idea about rock n' roll. I watched him, and from that point I saw that music could be an evil thing - a beautiful, evil thing.
I lost my innocence with Johnny Cash. I used to watch the Johnny Cash Show on television in Wangaratta when I was about 9 or 10 years old. At that stage I had really no idea about rock'n'roll. I watched him and from that point I saw that music could be an evil thing, a beautiful, evil thing.
If it hadn't been for Johnny Cash, I'd probably have been a Nashville songwriter because that's what I had done for almost five years.
I was a kid who was born and raised on Johnny Cash. My father played 'At Folsom Prison' constantly. Cash was the only thing I remember coming from our big, warm stereo console. Even then, I knew Cash was uncool. I knew he was an unhip Republican.
My dad is a big Outlaw country guy - Johnny Cash, Johnny Horton, Waylon, Willie. He loves Elvis and turned me onto Elvis. He was always playing me stuff. He and I would sing and entertain the family. We'd have a little skit on Thanksgiving or whatever.
I've always been an outsider. When I did magic, I was the only kid. When I worked with Johnny Cash, I was completely out of place in Nashville. And when I started Def Jam, I was the only white guy in the hip-hop world.
You know, larger-than-life politicians have larger-than-life strengths and larger-than-life weaknesses.
Collaboration is a vital part of my creative life. I've had success with Guy Clark and Waylon Jennings and Johnny Cash.
I don't own any of these names. I don't own Johnny World, Johnny Mundo, John Morrison, Johnny Nitro, Johnny Blaze or Johnny Impact. None of it.
I thought I pretty much knew Johnny Cash's life. But one of my personal discoveries was how little we know about any of these people.
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