A Quote by Kris Kristofferson
I gave everything I ever wrote to Johnny Cash. I think he said later in some interview that he would take them home and throw them in the lake with all the other demos. I'm sure he got a million of them.
Related Quotes
The 11 million, I think, are never going home, don't need to be sent home, and I would incorporate them into our society by giving them work visas and making them taxpayers.
I’m not the smartest guy in the world, but I’m certainly not the dumbest. I mean, I’ve read books like "The Unbearable Lightness of Being" and "Love in the Time of Cholera", and I think I’ve understood them. They’re about girls, right? Just kidding. But I have to say my all-time favorite book is Johnny Cash’s autobiography "Cash" by Johnny Cash.
I have a ton of Slipknot demos that I have at home. Maybe some day they'll surface; maybe they'll never be heard, but I don't translate them to any other band: they still stay in the Slipknot safe. I won't use them for anyone else besides Slipknot, if that ever happens again.
In the past, I never gave money to my children when they were young in return for nothing. When one of them approached me to give them cash, I asked them to do some work in exchange for it.
I think some fighters, when they throw a punch and throw everything they have, and it doesn't affect the other person, it might crush them a bit.
So many use dad's name, saying 'Johnny Cash would not like this' or 'Johnny Cash would do this' or 'Johnny Cash would vote for... ' Please, let his actions speak for who he was: A simple, loving man who never supported hate or bigotry. He was non-political, and a patriot with no public political party affiliation.
I think women are sexy when they got some clothes on. And if later they take them off then you've triumphed. Somebody once said it's what you dont see you're interested in, and this is true.
My generation remembered going to the movies as an event. We would see these things, we would bring them home, and we would think about them for years because it would take a long time before they would go on television where you could re-experience the fun that you had when you watched them.
Some of these rich folks seem to think that everything belongs to them and they'll even get to take it with them when they die. But you know what? You don't ever see a hearse pulling a U Haul.
Sophie held the [hand]cuffs higher, hopint to instill some sense of shame, if not in him, then at least in herself. One look at him and she wanted him again. "I found them in the bed." "That makes sense," Phin said. "That's where I lost them." "I'd ask what you were doing with them," Sophie said, trying not to sound bitchy, "but I probably don't want to know, do I?" "Sure you do. It was exciting and different and depraved." Phin nodded toward the stairs. "Go put them someplace we can find them, and I'll show you later.
I wrote a few unsuccessful screenplays before I wrote 'Before the Devil Knows You're Dead.' I wrote them as television plays that never got made. I'm glad I wrote them - I think it was a good experience.
The demon got up. The demon said Fool. To think you can eat their food and not talk to them. To think you can take their money and not be afraid of them. To think you can depend on their company and not suffer from them.
I had a job, I got ill, I left the job to get better, and while I was getting better, I wrote some stories. I sent them to some publishers and the fifth one who replied said they'd take them. Then they went bankrupt. Then that bankrupt publisher got bought by a bigger firm. Story: in the end is the beginning, and in the beginning is the end.
How could you justify giving Holland twice the amount of money that you gave Belgium? Well, finally, I put it up to them. They said that they couldn't do it; it would destroy them. I said they had to do it. And I finally got support from Hoffman on it.
Back in the day, in '91 or so, I tried to interview Fugazi for Rolling Stone, which the band felt stood for everything they detested about corporate infiltration of music. They said, 'We'll do the interview if you give us a million dollars of cash in a suitcase.' Which was their way of saying no.
Once we get them in the studio, you interview a person the same way you would interview another. You ask them a question. You let them answer. You try to listen closely and then ask a follow-up.
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