A Quote by Kris Kristofferson

I think that a society lives or dies according to its respect for - for its art. — © Kris Kristofferson
I think that a society lives or dies according to its respect for - for its art.
Without freedom, no art; art lives only on the restraints it imposes on itself, and dies of all others.
Art lives from constraints and dies from freedom.
Art lives on constraint and dies of freedom.
My trade and my art is living. He who forbids me to speak about it according to my sense, experience, and practice, let him orderthe architect to speak of buildings not according to himself but according to his neighbor; according to another man's knowledge, not according to his own.
I believe that a picture, a work of art, lives and dies just as we do.
Art lives and dies in the unique heart of he who carries it, just as all feelings only live and expand in the souls of those who feel them. There is no history of art -- there is the history of artists.
We cannot hope for a society in which formal organized religion dies out. But we can stop behaving as if it was worthy of our collective respect.
I think every young child can learn through any martial art. They would then learn to respect their life, respect their parents, respect their country, and respect the whole world.
Those who surrender to the service of the poor through love of Christ, will live like the grains of wheat that dies. It only apparently dies. If it were not to die, it would remain a solitary grain. The harvest comes because of the grain that dies. We know that every effort to improve society, above all when society is so full of injustice and sin, is an effort that God blesses; that God wants; that God demands of us.
I think, questions about what it means to respect nature become very important because just as in human society, for example, part of what it is for me to live a good life as a human being in a human society is to have respect for others around me. Now, that respect, to some extent, can be thought of as being grounded in the rights and interest of others but it also has to do with the stance that I take in the world and what it is that provides meaning and significance in my own life and I think there are similar ideas of respect for nature that apply as well.
For loving, working, and creative people to throw off the yoke of power it is necessary to abolish power itself, not merely to make the yoke comfortable. Where some have power, others do not, and the two classes persist. A free society is where all have power-power over and responsibility for their own lives, power and reason to respect the lives of others. This is also a society without classes, a society of human beings, not rulers and the ruled.
The production of a work of art is determined by the material and intellectual climate in which a man lives and dies.
Only when we succeed in creating such an order under which people receive for their labor from the society not according to the quantity and quality of labor, but according to their needs, will it be possible to say that we have built up a communist society.
I said there was a society of men among us, bred up from their youth in the art of proving by words multiplied for the purpose, that white is black, and black is white, according as they are paid. To this society all the rest of the people are as slaves.
Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.
In socialist society certain inequalities in property still exist. But in socialist society there is no longer unemployment, no exploitation, no oppression of nationalities. In socialist society everyone is obliged to work, although he does not, in return for his labour receive according to his requirements, but according to the quantity and quality of the work he has performed.
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