A Quote by Kris Marshall

For years I didn't really fancy America. I hated it when I first went to LA, it's like a dirty Sydney. But having a job helped. — © Kris Marshall
For years I didn't really fancy America. I hated it when I first went to LA, it's like a dirty Sydney. But having a job helped.
I performed in Sydney some years ago for the Sydney Festival and I am just so pleased to be returning to the wonderful Sydney Opera House and also performing in Melbourne for the first time.
Sometimes you have to gag on fancy before you can appreciate plain, th' way I see it. For too many years, I ate fancy, I dressed fancy, I talked fancy. A while back, I decided to start talkin' th' way I was raised t' talk, and for th' first time in forty years, I can understand what I'm sayin'.
I studied law at university and wanted to go on a working holiday in Sydney. I got a job at the Sydney Morning Herald and later on a TV station, and that was that. I stayed there for four years.
I hated the compound, I hated the dark, dirty room, I hated the filthy bathroom, and I hated everything about it, especially the constant state of terror and fear.
I am just a poor boy, though my story's seldom told, and I have squandered my resistance, for a pocket full of mumbles, such are promises. All lies in jest, still a man hears what he wants to hear and disregards the rest...la-la-la-la-la-la-la-lala-la-la-la-la...
I've always been a little off, but it's worked really well for me, and it still works. After so many years, you have a look, you become a brand, la la la.
To a lot of people, my job is really fancy, so they're like, "Oh, whoah, you're a musician, wow!" Some people go to you, "Oh my god, you're a journalist!" And some people go, "What, you're a therapist? That's incredible!" So everyone, to a certain extent, has other people that you get impressed by, without even having a proper conversation or getting to know them. You're just like, "Oohhh, they're a bit fancy!"
The whole year I was in LA I got into telemarketing and learned how to make money. Five years later that skill helped me make my first film.
I quite fancy having a hover car, but I don't fancy everyone having one. Because I feel like I spend quite a lot of time stuck in traffic on the 405 but if everybody had one then they'd be scared and we'd crash, but if it was just me, then I think I would zoom home quite fast. I also quite fancy a phone attached to my hand but then I don't know if I fancy it being stuck to my body.
I spent my first two years at a small all-male college in Virginia called Hampden-Sydney. That was like going to college 120 years ago. The languages, a year of rhetoric, all of the great books, Western Man courses, stuff like that.
I wrote the 'Marigold Hotel' series and with the first one, people hated it in the U.K. but in America they really liked it.
I was in WCW 20 odd years ago and people really didn't like the character I did at the time. It was a different time when you could really hammer that anti-American thing home and people hated it and hated me.
Well people love to go dirty and stuff like that. It's funny, because even really dirty things can kind of inspire, but all things inspire really dirty improv and monologues. So then really dirty things can inspire the exact opposite. It's kind of a crapshoot.
A lot of actors are just like la la la - they're never really connected and then they're in the scene and then boom. They're looking you in the eyes and they're just really focused.
I didn't really like my Sydney accent - nobody likes the sound of their own voice - and when I was a little younger tried to change my accent gradually. But I've only ever really lived in Sydney and Los Angeles, so I haven't been influenced by the accents of some far-off land.
I don't want to be 35 years old and still popping out songs in miniskirts and la-la-la.
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