A Quote by Krist Novoselic
No band is special, no player royalty.
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I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
My first contract was in 1965. There were six of us in this band - my band before Deep Purple - six in the band plus management, and the entire royalty rate was three-fourths of 1 percent.
A band isn't a band unless they're playing together. Otherwise it's just five guys that are living off their royalty checks.
A band isn't a band unless they're playing together. Otherwise, it's just five guys that are living off their royalty checks.
I am one hundred percent dedicated to Hellyeah. I love what I do in this band. I'm really proud of this band. Everybody in this band is such a special person, and the music that we make together, I really believe, is very special and the next level in my life.
Royalty is completely different than celebrity. Royalty has a magic all its own.
People say we need royalty. We have royalty in the United States - the Kardashians.
Player for player, there’s ?no better working band in jazz than The Cookers.
The lousy guitar player in any band is the bass player.
I've been in a band, so I understand the politics. Sometimes the bass player doesn't like what the guitar player is doing, and you have to sort of even that out.
Braxton Miller is a special football player and has been special since he stepped on campus.
I had a rock and roll band as a kid. What I wanted to be in was a country band, but in Sandy Hook, Ky., you're hard-pressed to find a steel guitar player or a drummer.
My dad was all about music. He was a musician, leading a band when I was born. His band was active all through the 40s. He'd started it in the late 20s and 30s. According to the scrapbook, his band was doing quite well around the Boston area. During the Depression they were on radio. It was a jazz-oriented band. He was a trumpet player, and he wrote and arranged for the band. He taught me how to play the piano and read music, and taught me what he knew of standard tunes and so forth. It was a fantastic way to come up in music.
My dad would take me downtown, and I'd stand backstage and watch him in the vaudeville pit band. I was 6 or 7. He was a musician, a band leader, a wonderful clarinetist and saxophone player.
See, I never wrote arrangements for the band for Judy Garland; I did strictly special material, special lyrics, put together all of her medleys.
I always just wanted to be the singer or the bass player in the band. I'd love to have a band, where I was obviously the singer, but where it wasn't me, it wasn't my name.
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