A Quote by Krist Novoselic

But whenever history is in the making, there's some kind of intangible feeling. — © Krist Novoselic
But whenever history is in the making, there's some kind of intangible feeling.
I guess I'm fascinated with motion because I find that whenever anything is moving, I have some feeling about it. It doesn't matter what kind of motion it is. A motion will always evoke some kind of reaction.
I think always whenever we're casting a movie, it's about sitting down with somebody and feeling in them some kind of the element of who our character is.
Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.
Clary glanced past him and asked, "Where's Magnus?" "He said it would be better if he didn't come. Apparently he and the Seelie Queen have some kind of history." Isabelle raised her eyebrows. "Not that kind of history," said Alec irritably. "Some kind of feud. Though," he added, half under his breath, "the way he got around before me, I woudn't be surprised.
Whenever it's suggested that our sponsors have some kind of influence or control of what we cover in some kind of censorship through financial pressure, it's rubbish. That's never happened.
Aristotle may be regarded as the cultural barometer of Western history. Whenever his influence dominated the scene, it paved the way for one of history's brilliant eras; whenever it fell, so did mankind.
If you give a good performance, something that gets some feeling across to people, that’s such a rare gift. It’s underestimated at this point in history, when the music biz is inevitably turning into a kind of politics.
If you give a good performance, something that gets some feeling across to people, that's such a rare gift. It's underestimated at this point in history, when the music biz is inevitably turning into a kind of politics.
What you don't want is for somebody to not care. Whenever they have no feeling at all, that's bad. Even if they kind of like you or they kind of don't, that's also bad. It's got to be a strong emotion one way or the other.
For me, love is the feeling of being at home no matter where on earth you are. It's a comfort that silences anxieties. It's the feeling of finding a safe place in the middle of disaster. Love does not judge. Love promotes personal growth. Love is not materialistic. It's intangible yet somehow an undeniable feeling. You know it when you have it. I have lots of love in my life and I am blessed.
Making money isn't something to be ashamed of. There's a feeling now that if you have money you must have got it by some kind of shady dealing or being an MP.
I would like to invest more of my brain space in understanding the history of my city, because whenever I learn about the history of Detroit, it's always so fascinating, from a little kind of beaver-trading post to the place where automobiles were manufactured.
Seldom aware of the intricate connection between the patterns of their own lives and the course of world history, ordinary people do not usually know what this connection means for the kind of people they are becoming and for the kind of history-making in which they might take part.
Most of my albums have a concept. They all have some kind of theme, some kind of feeling. I really take pride in that.
Whenever you brown butter, some of it is lost - water evaporates, milk solids fall to the bottom of the pan, that kind of thing. It's possible that in browning the butter you ended up making the dough with too little butter.
I like the feeling of not knowing where to look when you are only performing for one person or watching someone practice. It creates this kind of a strange in-between, which can be mirrored in the feeling of making a painting.
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