A Quote by Krist Novoselic
We're all players and musicians and we sure all get along good. We just clicked right off the bat. We started playing and then we almost immediately started recording.
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I actually started an adult book, worked on it for about two years, and then decided it just wasn't coming together for me, and thought I'll go back to children's books, and almost immediately I started 'Holes,' and it just seemed to take off on me.
Before discovering theater, I was sloughing off and didn't have any passion for school. Then I couldn't get enough. All of a sudden, I was getting good parts in all of these plays. I just loved it. I started getting A's in acting, directing and technical theater. I found something that clicked.
Growing around great musicians, you just can't help it. I identified with it immediately. It was something that was so natural to me that when I started singing, it was almost like speaking.
I went through some stuff. And I got very depressed at times. It was like a marriage breaking up suddenly, violently, quickly. And I was just trying to figure out what happened. When we started putting this tour together, I started to feel better almost immediately. And then this there is this, there is almost no better antidote to what I"ve just been through than to do this every night.
When I started off in music, I started with a real innocence, a real love for the instrument, the writing the songs, the playing the songs and the sharing and the recording and experimenting. It was exciting. Then, this thing called success came, and something happened at some point where I became disenchanted, and I lost the innocence.
The key to writing for Richard (Pryor) was to just push his buttons and then know when to push the buttons on your cassette recorder. You'd get him started, then surreptitiously start recording when he got inspired and started walking around the room and improvising in character. Then you'd get it all transcribed and take credit for it.
I didn't really think I was really good, I was just playing the game because I enjoyed playing it with my friends. Then once I started playing organized soccer, parents, coaches and other teammates were telling me to keep going and that I could become something so I started believing it.
I was a bass guitarist first before I started playing double bass - and I only started playing it because my teacher said I'd get twice as much work, as there's not enough players out there.
After years of begging, I got my parents to get me a little Craig tape recorder, a reel to reel. Then I started recording voices, or recording Jonathan Winters off television and stuff like that.
See you tomorrow,” he said, instead. “All right.” Then, impulsively, I asked, “Do you have a place to sleep tonight?” “Sure,” he said with a smile, and started off as if he had somewhere to be. I could have bitten off my tongue because I pushed him into a lie. Once he started lying to me, it would be harder to get him to trust me with the truth. I don’t know why it works that way, but it does—at least in my experience.
Actually, I started off playing by ear and being around a bunch of musicians playing in the streets in the different parades.
My dad was a great athlete. He started golf at a late age. He started me off real young and all of a sudden both of us got to where we were pretty good players. I was this 12-year-old thinking he was going to be the next Tiger Woods and all of a sudden, before you know it, I'm playing in the State Amateur.
I started off playing by ear, and being around a bunch of musicians and playing in the streets and in the different parades and, then, I got accepted to go to New Orleans Center for Creative Artists ... it's where Wynton Marsalis, Harry Connick, Jr. and all those guys went out.
Then I started to do furniture and interiors for a friend and just to get stuff in a magazine, and then slowly started to build up and started to doing exhibitions.
I started playing violin because I was fascinated by how violin players could play so fast. I would buy their cassettes, and learn different concertos, but then I started rounding out my collection. My dad was a big jazz fan, so I just started hearing a lot more soul music. I loved Little Stevie Wonder, and I got really into him as a singer and a writer as I got older.
In 10th grade, I started playing defense. Mainly because we already had a great tailback. Once I started playing it, it just started growing on me. I liked it a lot.
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