A Quote by Krist Novoselic
I don't know about the time those songs were written. But he was jamming with someone in Colorado or San Francisco, and I'm sure he was working on the lyrics right up to the show because they were really relevant for the situation.
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The first eight songs we were using someone else's monitors and it is hard to follow the changes when you are jamming if you can't hear those who you are jamming with.
I didn't really start writing music or lyrics or turning them into songs until I went to San Francisco.
"On Script" is one of my favorite songs I've ever written. I'd just been jamming on it one day, and again I was struggling with lyrics. I'm still figuring out what it's about. I've seen a couple of reviews that are like, "It's about the monotony of playing the same songs every night," because I say, "On script every night/Like a well-rehearsed stage show." It's not about that at all, but I find that funny, how people project what they think about me, or songwriters in general.
If I were doing a real rock show, slapping the phone book in time to the music, grooving with the songs, then it would matter to know how I felt about what I was playing. You can't fake it in that situation. But I'm just counting them down as they appear on the chart, 1 through 40. What really matters is what I say between the songs.
But it's not just the ratty part of town. The upper class in San Francisco is that way. The Bohemian Grove, which I attend from time to time - it is the most faggy goddamned thing you could ever imagine, with that San Francisco crowd. I can't shake hands with anybody from San Francisco.
You see 6,000 times more tech companies in San Francisco than you see in Seattle. All the money is in San Francisco when you look at the venture fund maps. The PR is in San Francisco. The centricity of the industry is in San Francisco.
Those situations were just taking over my entire life. It was fun to write in a way, because it helped me take a really bad situation and a really sad situation and make beautiful songs out of them. When I got half of the song written it was like, "Oh, this is great." It was like the one thing that was making me happy again.
They were a wonderful set of burglars, the people who were running San Francisco when I first came to town in 1923, wonderful because, if they were stealing, they were doing it with class and style.
What would I say about "Heaven Without a Gun"? For me, to have this man, and our friendship [ with Andy Kim] grew really slowly and very consistently throughout the years before we decided to get into a studio together, I wasn't sure if he wanted to do songs that were pre-written or what. We didn't know what we were getting into.
If you're alive, you can't be bored in San Francisco. If you're not alive, San Francisco will bring you to life......San Francisco is a world to explore. It is a place where the heart can go on a delightful adventure. It is a city in which the spirit can know refreshment every day.
Music that was made in the 60s and 70s did come from a really soulful place. The seed for the songs written in the 90s were planted in those songs, even though they were samples.
Our songs were not written to be listened to in headphones or on the radio. They were written to be played. All of the little infinite detail that went into the arrangements and giving ourselves lots of breathing room in terms of playing what we wanted to play and using up any ideas that we had - all of those were conceived to be performed.
All those songs are totally timeless. They'll always stand up because they came from a real place. They weren't crafted songs. They were written from the heart.
All films created by Walt Disney at the time of his major outpouring of work were carefully crafted to fit scenes, characters, moods and situations. If these elements changed in any way, songs - no matter how good they were - were discarded. Others were written for the new scenes. Many times, character songs were dropped because characters were dropped...sequences were dropped etc.
One of the things that's fun about that is that sometimes you grow up knowing about someone because they were famous, but you don't really know what they were like before they were famous.
We thought that the odds of things working OK were up in the upper 90 percent or we wouldn't have gone. But the - there were some problems cropped up on the flight but was able to take care of those OK and - although they were things that we hadn't really trained that much for. But it was the time of the Cold War and so there were was a lot of pressure on the - to get going and the Russians were claiming that they were - Soviets were claiming they were ahead of us in technology.
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