A Quote by Krista Tippett

I had been a journalist in Europe and then went to divinity school in the early 1990s, and came out as somebody who had the perspective of a journalist and was now also theologically educated.
I've been a journalist for too long to stop calling myself a journalist, and also when I'm doing 'Fake or Fortune?' I'm going through a rigorous investigation.
Modernism in a way, early modernism, for instance, in pictures, was turning against perspective and Europe. And all early modernism is actually from out of Europe, when you think of cubism is African, is looking at Africa, Matisse is looking at the arabesque, Oceania. Europe was the optical projection that had become photography, that had become film, that became television and it conquered the world.
There's something very strange about associating me with that prize. I had hoped for it in a more directed way as a journalist. Somehow as a journalist you know there are Pulitzers out there and you can work hard and get one. To win it for Fiction seems unbelievable.
If you're a journalist - and I think, on some level, I'm a journalist, and proud to be a journalist, or a documentarian, however you want to describe it - part of what I do has to be the pursuit of the truth.
My role as a broadcast journalist is to analyse information and pass it on to the community. And also as a journalist to hold governments to account.
I have a rule of thumb now and that's that somebody [she dates] has to have been married and they have to have had kids. Everything boils down to perspective. If your potential mate does not have the same perspective that you do then you're going to be lost.... If somebody has never been married, they don't know compromise ... [and] if they don't have children, they don't know the absolute self-sacrifice it takes and what it means to be a parent.
The one thing that shaped my life was when I was 15 or 16: I knew I wanted to be a journalist. And not just a journalist, but a journalist in the Middle East, and to go back to the Arab world and try to understand what it meant to be Lebanese.
Journalism has been very important for me - for a long time I made my living as a journalist, and it also serves as a source of ideas. Many of the things I have written I would not have written without the experience of being a journalist.
I had been laughed at my whole life through school, and I never really thought of it as a vocation. I mean, I started off as a soldier, and then I went into the university thinking I was going to be a journalist, but comedy kind of fell on my head and demanded I pursue it.
I wanted to be a lawyer. Then a journalist. Actually, I graduated from university as a journalist.
The image of the journalist as wallflower at the orgy has been replaced by the journalist as the life of the party.
I have been asking if I'm an activist or a journalist. And my answer is very simple. I'm just a journalist who asks questions.
I'm a journalist. I've been a journalist ever since I was 18.
There is only one way of surviving all the early heartbreaks in this business. You must have a sense of humor. And I think it also helps if you are a dreamer. I had my dreams all right. And that is something no one can ever take away. They cost nothing, and they can be as real as you like to make them. You own your dreams and they are priceless. I've been a lavatory attendant, a theatre usher, a panhandler, all for real. Now, as an actor, I can be a journalist today and a brain surgeon tomorrow. That's the stuff my dreams are made of.
I came up in this industry at a time where you had to be a journalist. You had to break stories. You had to break news to elevate your career, to get to a certain point and a certain level in this business, before you even had the license to give your opinion, especially if you were a black man.
If anybody ever tries to do an investigative report on a journalist, much like the kind and the way a journalist would do on a public figure, have you ever seen a stuck pig? Because that's what the journalist looks like.
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